Lay back and groove on a rainy day

DBoeeVoWsAA-va9When it rains, people’s moods change.  They turn inward, get a little reflective, maybe even cranky or depressed.  As Karen Carpenter used to sing, “Rainy days and Mondays always get me down…”  

But it doesn’t have to be that way.  It’s all in your attitude.  You can’t control the weather, so just live with it.  Enjoy indoor activities.  Or maybe throw on a raincoat and boots and Kid-Happy-in-Raintake an invigorating walk in the rain.  As The Weather Girls sang, “I’m gonna go out, I’m gonna let myself get absolutely soaking wet!…”

As is often the case, music can help set any mood.  Whether you dread rainy days or welcome them for their rejuvenating, cleansing benefits, songs about rain can be wonderful companions as you embrace the day in whatever mood strikes you.

I’ve selected 20 songs of various genres and vintages, with lyrics that examine how rain affects what we do and how we feel about it.

On the next rainy day that comes along, I hope you click on this setlist (on Spotify below) to keep you company!

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beatles-45-rpm-picture-sleeve-paperback-writer-b-w-rain-4-41“Rain,” The Beatles, 1966

This Lennon track broke new ground in Beatles studio productions as the flip-side of the “Paperback Writer” single during the “Revolver” sessions, spring of 1966.  In addition to some amazing drum work by Ringo, the track features some startling backward-tape vocals of the line “If the rain comes, they run and hide their heads,” and lyrics that are matter-of-fact about whether the weather calls for sun or rain:  “Rain, I don’t mind, shine, the weather’s fine, can you hear me, that when it rains and shines, it’s just a state of mind, can you hear me?…”

the-fortunes-here-comes-that-rainy-day-feeling-again-capitol“Here Comes That Rainy Day Feeling Again,” The Fortunes, 1971

This British harmony beat group hit the US Top Ten in 1965 with “You’ve Got Your Troubles,” and they were the band behind the 1969 Coke commercial theme song, “It’s the Real Thing.”  In 1971, The Fortunes had a #15 hit with an earworm by Tony Macauley that captured the analogy between rain and heartbreak:  “Here comes that rainy day feeling again, and soon my tears they will be falling like rain, it always seems to be a Monday, leftover memories of Sunday, always spent with you until the clouds appeared and took away my sunshine…”

ledzep-houses“The Rain Song,” Led Zeppelin, 1973

George Harrison once told Jimmy Page that Led Zeppelin should do more ballads, and Page came up with this seven-minute beauty from the “Houses of the Holy” LP.  Robert Plant, who has said this is one of his favorite recorded vocal tracks, wrote lyrics that examine the variety of emotions we experience as the seasons change, using rain as a metaphor for life’s twists and turns that we must endure:  “Upon us all, upon us all a little rain must fall…it’s just a little rain…”

REM_ILL+TAKE+THE+RAIN-198832“I’ll Take the Rain,” R.E.M., 2001

Lead singer Michael Stipe implores us to “celebrate the rain” in this melodic track from R.E.M.’s eighth Top Ten LP, 2001’s “Reveal.”  It did well as a single in the UK but stiffed here, which is a pity, because it’s a real winner.  The lyrics point out how, sometimes, the rain is the better option:  “You cling to this, you claim the best, if this is what you’re offering, I’ll take the rain…”  

taylor_jame_jamestayl_102b“Rainy Day Man,” James Taylor, 1969

First released on Taylor’s overlooked debut album, and re-recorded in 1979 on his “Flag” LP, this wonderful song offers emotional support in the form of a shoulder to cry on when times are hard:  “It looks like another fall, your good friends don’t seem to help at all, now when you’re feeling kind of cold and small, just look up your rainy day man…” 

Screenshot from Here Comes The Rain Again (Remastered Version)“Here Comes the Rain Again,” Eurythmics, 1983

Dave Stewart, the musical maestro behind much of the Eurythmics’ catalog, said he wanted to compose “a song that went in and out of melancholy, using minor and major chords.  I think it has a kind of dark beauty.”  A synthesizer-based foundation was augmented by layers of orchestral tracks and Annie Lennox’s strong vocals, and the result was a #4 hit in the US.  The lyrics have an “in and out of melancholy” nature too:  “Here comes the rain again, raining in my head like a tragedy, tearing me apart like a new emotion, I want to breathe in the open wind, I want to kiss like lovers do…”   

GORDON_LIGHTFOOT_EARLY+MORNING+RAIN-419303“Early Morning Rain,” Gordon Lightfoot, 1966

So much angst in this classic folk song, one of the Canadian composer’s finest.  It deftly describes how a drifter might have felt on a rainy morning in the mid-’60s, when he realizes his habit of hopping on freight trains was becoming obsolete in the new era of airplane travel:  “This old airport’s got me down, it ain’t no earthly good to me, and I’m stuck here on the ground, cold and drunk as I might be, can’t jump a jet plane like you can a freight train, so I best be on my way, in the early morning rain…”

MI0001459036“Rainy Day, Dream Away/Still Raining, Still Dreaming,” Jimi Hendrix, 1968

Many of the sessions for his “Electric Ladyland” double LP saw Hendrix jamming with guest musicians outside the Experience trio format.  These two companion tracks, which began sides three and four, created the feeling that the rain was continuing to fall all day and night during recording.  And hey, as Jimi says in his ’60s lingo, it’s all good:  “Rainy day, rain all day, ain’t no use in getting uptight, just let it groove its own way, let it drain your worries away, lay back and groove on a rainy day…” 

maxresdefault-25“Let It Rain,” Eric Clapton, 1970

Following his celebrated stints with John Mayall, Cream and Blind Faith, Clapton assembled an all-star team of musicians to help him produce his debut solo LP, notably Leon Russell, Stephen Stills, and Delaney Bramlett.  The album’s best song is “Let It Rain,” a joyous, gorgeous track with a fantastic solo at the end.  Originally called “And She Rides” with different lyrics, the finished track uses words that lovingly celebrate the healing power of rain:  “The rain is falling through the mist of sorrow that surrounded me, the sun could never thaw away the bliss that lays around me, let it rain, let it rain, let your love rain down on me…”

1824686“Song to the Sun/Don’t Let It Rain,” Jefferson Starship, 1976

Almost as an answer to Clapton’s song, the Starship’s Paul Kantner wrote this epic anthem from their 1976 LP “Spitfire,” which pleads for the rain to stay away:  “Don’t let it rain on me tonight, don’t let it rain, I need to feel the sun again, please don’t let it rain, rain…”

Temptations_I_Wish_It_Would_Rain“I Wish It Would Rain,” The Temptations, 1967

The Motown songwriting team of Norman Whitfield and Barrett Strong did a marvelous job of showing how a heartbroken man can have trouble facing a sunny day, surrounded by happy people:  “Day after day, I stay locked up in my room… my tear-stained face pressed against the windowpane, my eyes search the sky desperately for rain, ’cause raindrops will hide my teardrops… I just wish it would rain…”

R-4691779-1442772038-6742.jpeg“November Rain,” Guns ‘n Roses, 1991

Lead singer Axl Rose worked on this brilliant power ballad for more than eight years before he finally got the recording he wanted, completed with sweeping orchestral backing and one of guitarist Slash’s best solos.  “It’s about not wanting to have to deal with unrequited love,” said Rose, and the lyrics reflect the difficulty of wanting hope but feeling despair:  “Nothing lasts forever, and we both know hearts can change, and it’s hard to hold a candle in the cold November rain…”  

fb7af29736802f34e1a157bbdbca3ef0.640x640x1“I Think It’s Going to Rain Today,” Randy Newman, 1966

One of Newman’s most covered compositions is this wistful piece first recorded by Judy Collins on her “In My Life” LP.  There are more than 50 renditions to check out:  Bette Midler, Peter Gabriel, Cass Elliot, UB40, Norah Jones, Joe Cocker, Neil Diamond and Newman himself, to name just a few.  A gorgeous melody is embellished by lyrics of powerful empathy:  “Right before me, the signs implore me, help the needy and show them the way, human kindness is overflowing, and I think it’s going to rain today…”

supertramp-its-raining-again-am-5“It’s Raining Again,” Supertramp, 1982

One of the last great moments of this British progressive rock group’s 1971-1988 run was this spirited Roger Hodgson tune that reached #11 in the US.  It’s another of many pop songs that equate rain with romantic sorrow:  “It’s raining again, oh no, my love’s at an end, oh no, it’s raining again, too bad I’m losing a friend…  It’s only time that heals the pain and makes the sun come out again…”

 

Rolling-Stones-Rain-Fall-Down“Rain Fall Down,” The Rolling Stones, 2005

I found it gratifying when Jagger and Richards came up with an instant classic like this one, 50 years after “(I Can’t Get No) Satisfaction.”  There’s something a little spooky and relentless about the music, and the lyrics are full of queasy images that ultimately point toward the relentlessness of rain that never seems to stop:  “And the rain fell down on the cold grey town, and the phone kept ringing, and we made sweet love… and the phone kept ringing… and the rain… rain… rain… rain…”

America_album“Rainy Day,” America, 1972

America had plenty of commercial hits in their repertoire (“A Horse With No Name,” “Sister Golden Hair,” “Ventura Highway”) but I was partial to some of the lesser known tracks like this one from the debut LP, with intricate acoustic guitar and words that point out how inclement weather makes some people want to curl up at home under a warm blanket:  “Whenever it’s a rainy day, I pack my troubles up in my room, I chase all the clouds away, I get myself back to the womb…”

1289c195-7872-490c-b74a-748a7ea15712“Rhythm of the Rain,” The Cascades, 1962

One of the top ten most played songs on radio and TV in the 20th Century is this tearjerker written by Cascades lead vocalist John Gummoe.  It was #1 in six countries in 1962-63, and was later recorded by the likes of Neil Sedaka, Rick Nelson, Johnny Rivers and Dan Fogelberg.  In the lyrics, the narrator finds the sound of the rainfall painful as it reminds him of the lover he has lost:  “Listen to the rhythm of the falling rain, telling me just what a fool I’ve been, I wish that it would go and let me cry in vain, and let me be alone again…”

CREEDENCE_CLEARWATER_REVIVAL_WHOLL+STOP+THE+RAIN-555101“Who’ll Stop the Rain,” Creedence Clearwater Revival, 1970

John Fogerty watched from a dry tent as hundreds of concertgoers at Woodstock danced, huddled and sang naked in the endless deluge that turned the festival grounds into a sea of mud.  As he wrote about that experience weeks later, he realized the lyrics could have a double meaning:  Who will stop the rain of bullshit coming from all the politicians in Washington?  “Long as I remember, the rain been comin’ down, clouds of mystery pourin’ confusion on the ground, good men through the ages tryin’ to find the sun, and I wonder, still I wonder, who’ll stop the rain?…” 

Purple_Rain_a_l“Purple Rain,” Prince, 1984

Ever since Prince performed this anthem in a downpour at the halftime show of the 2007 Super Bowl, it’s the image I think of whenever I hear it.  The late musician had built a sizable following between 1979-1983, but the release of the album and film “Purple Rain” in 1984 sent his career into the stratosphere.  The title ballad is drenched in sadness:  “I never meant to cause you any sorrow, I never meant to cause you any pain, I only wanted one time to see you laughing in the purple rain, purple rain…”

article-riders-on-the-storm-the-doors-1971“Riders on the Storm,” The Doors, 1971

In what turned out to be Jim Morrison’s final recorded moment, The Doors used the sounds of a thunderstorm to embellish a creepy musical track that may be the best nighttime driving-in-the-rain song of all time.  Lyrics that speak of “a killer on the road” and the warning, “If you give this man a ride, sweet family will die” only underscore the sense of dread oozing from this awesome recording.

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Honorable mention:

A Hard Rain’s Gonna Fall,” Bob Dylan, 1963;  “Alabama Rain,” Jim  Croce, 1973;  “Fool in the Rain,” Led Zeppelin, 1979;  “Fire and Rain,” James Taylor, 1970;  “Save It For a Rainy Day,” Stephen Bishop, 1976;  “Heavy Clouds, No Rain,” Sting, 1994;  “Buckets of Rain,” Grateful Dead, 1970;  “It Never Rains in Southern California,” Albert Hammond, 1972;  “Driving Rain,” Paul McCartney, 2001;  “Looking at the Rain,” Gordon Lightfoot, 1972;  “It’s Raining,” Peter, Paul & Mary, 1964;  “Red Rain,” Peter Gabriel, 1986;  “Have You Ever Seen the Rain,” Creedence Clearwater Revival, 1972;  “Cry Like a Rainstorm, Howl Like the Wind,”  Linda Ronstadt, 1989;  “Crying in the Rain,” Art Garfunkel & James Taylor, 1993;  “It’s Raining Men,” The Weather Girls, 1982.

 

 

 

I once was lost, but now I’m found

There’s nothing better than hearing a song you used to love but have somehow forgotten all about over the years.  Perhaps it’s the one great song on a so-so album, so you don’t even remember it’s there.  Or maybe it’s on a super album but the radio plays only the same 3-4 songs, neglecting some choice tunes in the mix.

Vinyl-Record-StorageOr maybe you never heard it before, even though it’s on a popular album.  Some music-loving friend turns you on to a deep track, and blows your mind.  “Wow!  Where has THAT song been all my life?”

That’s the purpose of my series of “lost classics” blogs (this is the sixth installment) in which I turn the spotlight on these hidden gems.  They live among us, dear readers.  Treat yourself to these dozen songs I’ve selected from the 1969-1983 period that will perhaps spark great memories, or thrill you for the first time.

Enjoy!

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Soul_searching_awb“Queen of My Soul,” Average White Band, 1976

This R&B band from Scotland made quite a splash in the US in the mid-to-late ’70s with singles like the #1 instrumental “Pick Up the Pieces” and its follow-up, “Cut the Cake,” and three Top Ten albums.  On their third LP, “Soul Searching,” there’s an infectious dance track by guitarist/bassist/vocalist/songwriter Hamish Stuart called “Queen of My Soul” that is guaranteed to get you up out of your chair.  Its main message, repeated often in the chorus and coda, is that music can play a hugely important role in our lives:   “Music, sweet music, you’re the queen of my soul…”

santana-borboletta“Mirage,” Santana, 1974

After a spectacular debut LP, followed by two consecutive #1 albums, Santana foundered a bit in 1973 as their lead guitarist wanted to stretch boundaries and try new things.  Several personnel shifts occurred, and the music, while fascinating at times, didn’t offer what the band’s early fans were looking for, so the albums didn’t chart as well.  Still, there’s often a diamond in the rough hidden amongst average songs, and on “Borboletta,” it’s a gorgeous keyboard-dominated track called “Mirage,” written and sung by organist/pianist Leon Patillo.  Carlos is on hand to offer his trademark biting guitar riffs.

Christopher_cross“I Really Don’t Know Anymore,” Christopher Cross, 1980

This unlikely-looking singer-songwriter seemingly came out of nowhere in early 1980 with his eponymous debut LP and its four hit singles (“Sailing,” “Ride Like the Wind,” “Never Be the Same” and “The Light is On”).  He won the “Big Four” Grammys that year, including Song of the Year (as composer) and Record of the Year (as performer) for “Sailing,” Album of the Year, and Best New Artist, the only time this has happened in Grammy history.  Did he deserve it?  That’s debatable, but the album is full of really great music, and the lost gem, to me, is “I Really Don’t Know Anymore,” a shimmering rock track that features Michael McDonald sharing vocals, and a scorching guitar solo by jazz/rock great Larry Carlton.

The_Yes_Album“Starship Trooper,” Yes, 1971

This accomplished progressive rock group from England had greater chart success with their “Fragile” album and its single “Roundabout,” and their #1 opus “Close to the Edge,” but I keep going back to the brilliant 1971 LP, “The Yes Album.”  There you’ll find the minor hit  “I’ve Seen All Good People” and the sonic smorgasbord of the leadoff song, “Yours is No Disgrace,” but most diehard Yes fans are partial to the 9-minute “Starship Trooper,” which is actually a suite of three separate pieces of music combined in a gorgeous, mesmerizing track.  In particular, Jon Anderson’s crystalline vocals and Steve Howe’s intricate guitar work stand out.   

macf-1“Tell Me All the Things You Do,” Fleetwood Mac, 1970

The band that blues guitarist Peter Green put together in 1967 would go through several giddy highs and discouraging lows before they hit superstardom in 1977.  In 1970, Fleetwood Mac muscled their way through the sessions for “Kiln House,” their first LP without Green at the helm, who had abruptly left to join a commune.  Guitarist Jeremy Spencer wasn’t much of a songwriter, and he too would soon be swayed by a persuasive cult.   This left the bulk of the songwriting on the frail shoulders of young Danny Kirwan, a new recruit the year before.  He came through with a couple of gems, including “Tell Me All the Things You Do,” where his tenor voice sounds a lot like Christine McVie, who became a full-fledged member later that year.  Kirwan’s guitar work is masterful here.

David-bowie-lets-dance“Criminal World,” David Bowie, 1983

It had been three years since Bowie’s last release, 1980’s “Scary Monsters,” so naturally, the public was about to meet a new Bowie persona.  He wrote or identified eight captivating songs, hired Chic’s Nile Rodgers to produce, and unleashed then-unknown blues guitarist Stevie Ray Vaughan on most of the tracks, and the result, “Let’s Dance,” was #1 in ten countries.  While “Modern Love,” “China Girl” and the anthemic title song rightly get most of the attention, I suggest you take a listen to “Criminal World,” which features Vaughan adding just the right guitar fills to spice things up.  Great song!

R-2141703-1341853907-6606.jpeg“Albert Flasher,” The Guess Who, 1971

Randy Bachman had been the de facto leader/guitarist/songwriter of this polished Canadian band, but he departed after “American Woman” in 1970, later to lead Bachman-Turner Overdrive.  That left singer/pianist/songwriter Burton Cummings to take over the reins, and he came up with some impossibly catchy Top 20 tunes to keep the Guess Who popular for several more years — “Share the Land,” “Hand Me Down World,” “Rain Dance” and my favorite, “Albert Flasher,” a piano-driven single that wasn’t available on an album until many years later.  Cummings’ vocal delivery here is simply spectacular.  I wish this one went on longer than its brief 2:18 length.

hqdefault-6“Tell Me to My Face,” Dan Fogelberg & Tim Weisberg, 1978

For his fifth album, Fogelberg teamed up with jazz flautist Weisberg for the delightful “Twin Sons of Different Mothers,” which reached #8 on the charts on the strength of the single, “The Power of Gold.”  Most of the LP showcases the delicate interweaving of flute and acoustic guitar, but “Power of Gold” is full-bodied and really cooks, and even more so is the incredible 7-minute rendition of “Tell Me to My Face,” written by Graham Nash and Allan Clarke in 1966 and recorded by The Hollies.  Fogelberg’s version is leaps and bounds better than the original, if only because production values are so superior…but so is the musicianship.  I crank this one up every chance I get.

cooper_killerF“Be My Lover,” Alice Cooper, 1971

The shock rock of Alice and his band of hard rock misfits had struggled to find an audience at first, but producer Bob Ezrin polished up their sound and asked for songs with great hooks, and the band responded with “I’m Eighteen,” a teenage rallying cry to this day.  On their “Killer” album in ’71, “Under My Wheels” kept momentum alive until 1972’s “School’s Out” and “Elected” and 1973’s “Billion Dollar Babies” LP made them one of the nation’s top concert draws.  But go back to “Killer” — many compelling songs there, particularly “Be My Lover,” written by guitarist Michael Bruce.  The dude knew his way around a knockout riff.

pt_1200“Kozmic Blues,” Janis Joplin, 1969

In early 1969, Janis had left her erstwhile group, Big Brother and the Holding Company (despite their #1 album together, “Cheap Thrills”), and instead assembled a new band loosely known as The Kozmic Blues Band.  This group, which included blues great Mike Bloomfield on a few tracks, recorded the impressive “I Got Dem Ol’ Kozmic Blues Again Mama!” just before appearing at Woodstock.  The album’s release a month later capitalized on that event and reached #6 on the charts.  Three singles were released but curiously went nowhere, despite their energy and musical quality.  The title track shows Joplin in fine form, offering alternately dulcet and screeching vocals as a basic piano melody evolves into a full brass, full-throated tour de force, all in a compact 4:42.

3c54ff661b309242c5e618a35c734fb3“Night Flight,” Led Zeppelin, 1975

Eight new songs were recorded by the band for their “Physical Graffiti” album in 1974, but since their combined length pushed the limit of a conventional single album, they decided to resurrect some unreleased tracks recorded during previous sessions and make “Graffiti” a double album.  Naturally, it went to #1, but only four or five of the 15 songs got much airplay — usually “Kashmir” and “Trampled Under Foot,” maybe “In My Time of Dying.”  But the one I like is “Night Flight,” originally intended for the “IV/Untitled” album in 1971.  Carried by John Paul Jones’ keyboards, and a typically powerful Robert Plant vocal, it packs a wallop, and recalls “Misty Mountain Hop” and “Four Sticks” from that classic album.

medium.545u7b1k20k2“Freedom Rider,” Traffic, 1970

Steve Winwood had already achieved so much before he was 21 — hits with Spencer Davis Group, forming trippy folk/rock band Traffic, then teaming up with Eric Clapton for the Blind Faith project.  He then decided the time was right for a solo LP, and started writing the songs that would eventually make up the extraordinary “John Barleycorn Must Die” album.  Because Winwood used Traffic’s drummer Jim Capaldi and flute/sax player Chris Wood in the recording sessions, he relented and agreed to call it a Traffic album, which kick-started another five years and three amazing albums for the band (and delayed Winwood’s solo career until the late ‘70s).  On “Freedom Rider,” Wood’s sax and flute passages perfectly complement Winwood’s piano and organ, and that voice — well, there few peers in the business. 

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I’d love to hear your suggestions for “Lost Tracks” I might feature in future blog entries!