Since you’ve got to go, you’d better go now

In the summer of 1971, Paul McCartney was ready to form his own band.

Since the breakup of The Beatles in late 1969, he had partnered with his wife Linda on the solo debut “McCartney” and utilized New York session musicians to embellish the tracks on the follow-up LP “Ram.” But if he was going to fulfill his goal of going back out on the road to perform concerts, he needed a couple of guitarists and a drummer willing to make a more long-term commitment.

He asked drummer Denny Seiwell and guitarist Hugh McCracken, who had participated on the “Ram” sessions. Seiwell was amenable, but McCracken declined, citing a need to be near his young family in the U.S. McCartney kept looking, and noticed in the New Musical Express, the British music magazine, that the Midland band called Balls was breaking up. A light went on when McCartney recalled the guitarist/singer in that group was an old friend. His name was Denny Laine.

McCartney was thrilled when Laine eagerly accepted, which initiated a hugely successful ten-year run as bandmates in Wings, marked by eight Top Ten albums, more than 15 Top 20 hit singles and several successful tours. Other members of Wings came and went during that decade, but Laine remained the loyal sideman throughout.

Laine died this week at age 79 of lung disease brought on by COVID-19.

“Denny was a great talent and a kind guy with a fine sense of humor,” said McCartney in the wake of Laine’s death. “We wrote some songs together and had a great deal of respect for each other. We had drifted apart since Wings disbanded, but we re-established our friendship in recent years and shared memories of our many times together. It was such a pleasure to work with him.”

Laine was born Brian Hines in Birmingham, England, where he showed a talent for guitar and eventually became frontman and singer of his own group, Denny and The Diplomats, in the early ’60s. (His stage name, he said, came from combining his sister’s favorite teen idol, Frankie Laine, with the nickname Denny because he was always hanging out in his family’s den.) By 1964, Laine left the Diplomats when he was invited by Mike Pinder and Ray Thomas to join their new group, The Moody Blues.

The early Moody Blues, with Laine at center

Laine’s arrival as their lead singer coincided with the band’s first taste of success, the single “Go Now,” which reached #1 in the UK and #10 in the US in early 1965. Laine first met McCartney at that point when “Go Now” earned The Moody Blues a spot on the bill as one of the warmup acts for a Beatles tour of Britain. Their debut LP, “The Magnificent Moodies,” included some Laine originals and several R&B covers, all featuring Laine’s Merseybeat vocals. The album failed to chart, and subsequent singles stalled as well, precipitating Laine’s departure. (The Moody Blues, of course, went on to stardom with singer/songwriter Justin Hayward as Laine’s replacement.)

Laine, meanwhile, formed The Electric String Band, playing a hybrid of classical and rock genres, and McCartney was in the audience when that group warmed up for the Jimi Hendrix Experience in London in 1967. Laine also wrote and released a few solo singles, most notably “Say You Don’t Mind,” which later became a UK Top 20 hit for Zombies singer Colin Blunstone in 1972. By 1969, Laine joined Balls, which included alumni from British bands like The Move and Spooky Tooth, but little of their recorded work ever saw the light of day. Laine also spent a few months on tour in 1970 with Ginger Baker’s Air Force, offering guitar and vocals in the large jam band led by the former Cream drummer.

According to Allan Kozinn’s book “The McCartney Legacy (Volume 1),” McCartney’s phone call in 1971 came as Laine was struggling and practically homeless, writing songs as a staff writer for Essex Publishing. “I’m hoping to form a band,” McCartney said. “Do you fancy doing something?” Laine recalled, “I wasn’t at all happy with what I was doing and thought, ‘This is just one of those twists of fate.’ I flew up to his farm in Scotland the next day.”

Laine quickly realized that although McCartney said he wanted the new group to be “a band of equals,” it was clearly going to be Paul’s group, Paul’s songs, Paul’s arrangements and Paul’s star power as a former Beatle that would dominate the proceedings. While drummer Denny Seiwell was skeptical about novice Linda McCartney handling keyboard duties, and hoped to persuade them to hire a professional keyboardist, Laine was more accepting. “She wasn’t a musician and never really wanted to be,” he said, “and being on stage scared her. But she was Paul’s wife, and served an important role as a sounding board for his ideas.”

Drummer Denny Seiwell, Linda and Paul McCartney, and Laine in 1971

Wings had the absurdly difficult task of helping McCartney move past the trauma of The Beatles’ breakup. “It was always in the back of our minds,” Laine recalled in 2019. “How do you follow the Beatles? It was purely just a fact of getting a band that could sound pretty good live, which we did…It was easier for me because he and I knew each other pretty well. We had the same attitude toward it all, and we knew that if we just played live as much as possible we’d get good, and that includes the studio performances.”

Still, it was a rocky beginning. The lame debut album “Wild Life” was vilified, after which Henry McCullough joined on second guitar in 1972 and Wings undertook a few tentative, unannounced gigs at universities around England to hone their chops. A strange trio of singles followed: McCartney’s foray into political protest, “Give Ireland Back to the Irish,” which was banned by most UK radio; a creative but slight interpretation of the children’s song, “Mary Had a Little Lamb”; and a gutsy pro-pot rocker called “Hi Hi Hi,” which was also too provocative to get much airplay.

Laine (front, center) with Wings in 1973

Things improved for Wings in 1973 with “Red Rose Speedway,” their first #1 LP in the US, carried by the strings-laden ballad “My Love,” also reaching #1. Concurrent with those wins was the over-the-top dramatic production of the theme song for the latest James Bond film, “Live and Let Die,” and a TV special called “James Paul McCartney.” Laine played a key role in all these projects and yet was also putting finishing touches on his first solo LP, “Ahhh…Laine,” compiling tracks he’d been writing over the previous seven years in an effort to satisfy earlier contractual obligations.

When McCartney insisted on heading to Lagos, Nigeria, to record the next album, Seiwell and McCullough both said no thanks, which meant Wings was now a trio, with just the McCartneys and Laine. Under trying circumstances in a sometimes hostile environment, the threesome cobbled together ten songs that became “Band on the Run,” widely regarded as the crown jewel in the Wings catalog.

Years later, Laine admitted that he was disappointed that Wings rarely recorded any of his songs. “Perhaps it wasn’t reasonable to expect that, seeing as how Paul is one of the most accomplished songwriters of all time. At least I was given the chance to sing lead vocals on a song or two on most of the Wings albums, and we included ‘Go Now’ in the setlist during the ‘Wings Over America’ tour in 1976.”

Laine (left) on acoustic 12-string in concert with the McCartneys, 1976

Laine was something of a jack-of-all-trades in the Wings lineup, contributing electric and acoustic rhythm guitar, occasional lead guitar, bass, harmonica, percussion, and lead and backing vocals. He wrote, co-wrote and/or sang lead vocals on these deep album tracks: “I Lie Around” (the B-side of “Live and Let Die” single); “No Words” (from “Band on the Run”); “The Note You Never Wrote” and “Time to Hide” (from “Wings at the Speed of Sound”); “London Town,” “Children Children,” “Deliver Your Children,” “Don’t Let It Bring You Down” and “Morse Moose and the Grey Goose” (from “London Town”); and “Again and Again and Again” (from “Back to the Egg”).

By far the most lucrative song on Laine’s resumé is “Mull of Kintyre,” the 1977 Scottish ode he co-wrote with McCartney that become a virtual anthem all over Europe. As a Wings stand-alone single, it was ridiculously popular in the UK, becoming one of the biggest hits of all time there, although it got almost no traction in the US.

In 1980, when McCartney was arrested in Japan for marijuana possession and forced to cancel the Wings tour, he chose to close the books on Wings, but Laine turned up to help on sessions for McCartney’s “Tug of War” and “Pipes of Peace” LPs in 1982-83. Financial disagreements caused a period of estrangement between the two that went on for decades, so Laine resumed his mostly lackluster solo career by releasing five albums between 1980 and 1988, although none charted in the US.

In 1996, he released “Wings… at the Sound of Denny Laine,” on which he re-recorded Wings songs he had written or co-written, plus a few Wings hits like “Silly Love Songs” and “Listen To What the Man Said.” Laine continued to perform regularly through the years, and participated in numerous live shows in 1996-2002 as part of a loose confederation known as World Class Rockers, which had a changing lineup that included the likes of Spencer Davis, Camine Appice, Nick St. Nicholas, Bobby Kimball and Randy Meisner.

Laine performing in 2018

In 2018, he was inducted into the Rock and Roll Hall of Fame as a member of the Moody Blues after he was initially left off the list of inductees. “I thought [the rest of the band] deserved it because of the amount of work and their popularity, and I thought, ‘Well, that’s the way it goes,'” he told a reporter. “Obviously, I’m very pleased I’m in there after all. It’s an honor. I think I’m at least a little part of their story, so I feel very content, really, that it’s all come full circle now.”

Laine is survived by five children from previous wives, and his wife Elizabeth Mele, to whom he was married only six months before he died.

Famous musicians ranging from Nancy Wilson of Heart, Axl Rose of Guns ‘n Roses, Mickey Dolenz of The Monkees, Dave Davies of The Kinks, Christopher Cross and Steve Van Zandt all made fond public statements honoring Laine and his contributions. Said Mike Pinder of The Moody Blues: “I will remember Denny’s fun-loving sense of humor and the musical collaboration we shared. My first foray into professional songwriting was with him. Our creative collaboration was inspiring and our future was unfolding. It was such an exciting time in our lives.”

Rest In Peace, Denny. You left a fine legacy in the world of classic rock.

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The Spotify playlist below offers an overview of songs by the early Moody Blues and Wings in which Denny Laine made significant contributions, as well as samples of his lesser known solo recordings.

What a way to make a livin’

Some rock musicians became such worldwide celebrities that it’s hard for us to imagine them in their pre-fame days. But at some point, they all were like the rest of us, toiling away at temporary, dead-end jobs, before they pursued their musical dreams and became household names. Perhaps it shouldn’t be surprising that most future stars came from humble beginnings, holding odd jobs that ranged from boring or unpleasant to exotic or bizarre.

Let’s take a look at 20 big rock stars and some of the curious lines of work they dabbled in when they were young and struggling.

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Freddie Mercury, along with Queen drummer Roger Taylor, ran a market stall in London’s Kensington Market, selling their own artwork, along with second-hand clothes.  They enjoyed it enough to keep the vendor space open from 1969 until 1973, even after the release of Queen’s debut LP.  It wasn’t until late 1974 that they became stars when “Killer Queen” rocked the charts.

In the mid-’60s, Tom Waits was hired as a dishwasher at a pizza parlor in San Diego but was soon promoted to pizza cook.  He wrote about his experience in his song “The Ghosts of Saturday Night (After Hours at Napoleone’s).”  Through his first 25 years, Waits managed only a cult audience, wallowing in the lower ranks of the US Top 200 album chart until finally reaching the Top 30 in 1999, but critics have praised his honest lyrics and jazz-inflected musical arrangements.  You might want to check out his first four albums, especially his superb 1973 debut LP, “Closing Time.”

In 1975, already age 30, Debbie Harry had worked as a waitress at Max’s Kansas City club in New York City, and then spent a few months as a Playboy bunny in New York City’s Playboy Club.  She later dyed her hair bright blonde, and became a sensation as the lead singer of Blondie, with huge hits like “Heart of Glass,” “Call Me” and “Rapture.”  She said she dealt with the clientele’s leers and gropes by dabbling in drugs to numb her to the experience.  “I was often half asleep and didn’t much notice, or care, what was going on.”

David Jones’s first job, at age 13, was as a delivery boy for a local butcher in a London suburb.  He used the money he earned to pay for saxophone lessons, and within three years, he became a professional musician and changed his name to David Bowie to differentiate himself from Davy Jones of The Monkees.  Suffice it to say Bowie’s extraordinary five-decade career ensured there was no mistaking the two David Joneses.

Ozzy Osbourne, who soon afterwards found himself the front man of the pioneering heavy metal band Black Sabbath, spent about nine months working in a slaughterhouse.  “The smell was repulsive,” he said.  “I had to slice open the cow carcasses and get all the gunk out of their stomachs.  I used to vomit from it every day.”

When he was 18, Mick Jagger worked part time as a porter in a psychiatric hospital, losing his virginity to a nurse in a storeroom. At the time, he was weighing the advantages of pursuing his passion for rock and roll or continuing as a student at the London School of Economics, where he was working toward a degree in business with an eye toward journalism or politics.  He co-wrote and performed some of the most iconic songs of the past 60 years, and his business schooling also helped make him one of the richest rockers of all time.

Long before joining the Jeff Beck Group, then Faces, and finally a lengthy solo career with multiple top-selling albums and singles, Rod Stewart spent time working in Highgate Cemetery in London, mostly mapping out burial plots but also periodically digging graves.  He also did a stint working in a funeral parlor, greeting guests at wakes and driving hearses.

Patti Smith — famous for her influential 1975 debut album “Horses” and breakthrough “Easter” LP in 1978, which included her version of Bruce Springsteen’s “Because the Night” — worked at a toy manufacturing company for a few months, assembling boxes and sometimes testing toys before packaging.  “I guess it was kind of fun checking out toys, but mostly they made me do the drudge work,” she recalled.  “The women who worked there were incredibly mean to me, I guess because I was too rebellious for them.  A horrible experience, for the most part.”

After Simon & Garfunkel’s 1964 debut album (“Wednesday Morning 3 A.M.”) bombed, the duo went their separate ways.  Paul Simon headed to England and tried his hand at “busking,” playing for spare change in the London subways, but Art Garfunkel put his college degree to work teaching high school algebra in Brooklyn.  Apparently, he was pretty good at it, because the principal said he was sorry to see him go when “The Sound of Silence” was re-released (with a folk-rock arrangement) and rocketed to #1 in 1966, and the duo quickly reunited and went on to become superstars.

Madonna had always been ambitious, earning great grades and hoping to do well with her natural instinct for modern dance.  Although she won a scholarship for dance at the University of Michigan, she dropped out at age 20 and moved to New York City to pursue a professional career in dance, but she had no support and wondered how she’d survive with “about 35 bucks to my name.”  To help make ends meet, the future pop star and trendsetter worked the Dunkin’ Donuts counter for several months.  She would “live to tell” many other stories…

At age 18, Jimi Hendrix found himself in trouble with the law when he was twice caught riding in stolen cars.  Given the choice between jail time and military service, Hendrix enlisted, where he served at bases in California and Kentucky.  He completed paratrooper training but alienated his superior officers, often shirking his duties in favor of practicing guitar.  He managed to finagle an honorable discharge from the Army in 1962 after only one year, and immediately started playing gigs with various bands, including King Curtis, Sam Cooke, Wilson Pickett and The Isley Brothers.  By 1967, he was an international sensation (“Are You Experienced?,” “Electric Ladyland”) before his untimely death in 1970.

Born into poverty in South Carolina, James Brown showed an early predilection for music, and wanted to pursue it, but it took some time.  He was a boxer for a while as a teen, then got arrested for car theft and formed a gospel group in prison.  Later he worked as a truck mechanic, a shoeshine boy and a high school janitor. At 22, he joined The Flames, eventually becoming their star singer and frontman, earning the nickname “The Godfather of Soul” with a long list of R&B hits and back-to-back mainstream hits “Papa’s Got a Brand New Bag” and “I Got You (I Feel Good)” in 1965.

Before donning face paint and becoming the menacing, long-tongued bass player of Kiss, Gene Simmons served as “an excellent typist” for an editor of the fashion department of Vogue magazine.  He also served a stint as a sixth grade teacher in New York’s upper West Side, focusing on art and music.  In recent years, apparently, he has helped his friends’ kids by typing some of their lengthy essay assignments.  His stage persona never had anything to do with any of this, evidently.

As a young boy, Keith Richards spent time watching his father play tennis at a local tennis club, and at 15, he was persuaded to spend a summer as a ballboy there.   He didn’t last long — he was prone to goof off, which embarrassed his father and angered his boss.  “I didn’t respond well to authority,” he chuckled.  “Still don’t.”  But his 60-plus years as guitarist for The Rolling Stones shows he could give the finger to just about anyone.

From meager roots in Tupelo, Mississippi, Elvis Presley and his family moved to Memphis when he was a teenager, and from there he pursued his dream to become a singer.  He did numerous auditions and demos for companies like Sam Phillips’ Sun Records, but nothing much happened at first, so he took a job as an electrician, and then a truck driver, for Crown Electric in Memphis.  One bandleader dismissed him with the comment, “Keep driving a truck, Elvis.  You’re not much of a singer.”  I think maybe that guy was wrong about that.

As a boy, Marvin Aday was a beefy Texas kid who decided he didn’t want to play football, as everyone thought he should, but instead got involved in high school drama, playing a part in “The Music Man.”  He moved to Los Angeles and, adopting his mother’s favorite dish to cook, assumed the name Meat Loaf, hoping to make something of his acting dreams.  He appeared in a production of “Hair” and was then signed by Motown to do an album of soul songs with Shaun “Stoney” Murphy in 1971. In 1974, he played a key part in “The Rocky Horror Picture Show,” on stage and in the film version.  But things stalled, and he found himself putting in brief stints as a bouncer in various L.A. night clubs.  By 1977, Meat Loaf was a superstar, thanks to the work he did on Jim Steinman’s opus “Bat Out of Hell.”

Liverpool was a tough place to grow up in the 1950s, still suffering from the effects of World War II.  For Richard Starkey, later known worldwide as Ringo Starr, it was even worse — he contracted appendicitis and then peritonitis as a youngster and spent much of his childhood in convalescence and under medical care.  Eventually Ritchie pursued a life as a drummer, but not before accepting a position as an apprentice at an industrial equipment manufacturer in Liverpool.  That lasted about four months before he joined Rory Storm and The Hurricanes, where he was admired by John Lennon and Paul McCartney, and Ringo was asked to replace Pete Best on drums for The Beatles.  Perhaps you’ve heard of them?

Divorce and other circumstances meant Eddie Vedder‘s childhood was split between Evanston, Illinois and San Diego.  His interest in music, spiked by The Who’s “Quadrophenia” album, had him working in bands and cutting demos on home equipment.  To make ends meet, Vedder worked as a security guard at La Viencia Hotel in San Diego for a spell, but things came to an abrupt end when he was discovered in a back room practicing guitar instead of being at his security post.  Eventually, Vedder became the lead singer of one of grunge rock’s most impressive bands, Pearl Jam, whose albums in the 1990s and 2000s (“Ten,” “Vs.,” ” Vitalogy,” “No Code”) routinely reached the Top Five of the US charts.

Ross MacManus, a bandleader and musician in London in the ’50s, took the stage name Day Costello, and when his son Declan decided at age 17 to form a band, he adopted the name Elvis Costello as a tribute to his dad as well as rock hero Presley.  To support himself in the mid-’70s, he worked as a data entry clerk at the London offices of Elizabeth Arden.  He also served a stint as a computer operator for Midland Bank.

In 1960 at Hudson’s Department Store in Detroit, Diana Ross became the first black employee who was allowed to work “outside the kitchen.”  She excelled as a saleswoman in the ladies fashion department because of her schooling in modeling, cosmetology and fashion at Cass Technical High School in Michigan.  Within four years, she was the lead singer in The Supremes with five consecutive #1 hits in 1964 (“Where Did Our Love Go,” “Baby Love,” “Come See About Me,” “Stop in the Name of Love” and “Back in My Arms Again”) and many more successes afterwards, followed by an impressive solo career throughout the ’70s and ’80s.

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This Spotify playlist includes early tracks from the debut albums by the 20 artists featured above.