And the beat goes on: The music of the past ten years
Welcome to the Roaring Twenties!
There are two schools of thought, apparently both correct, regarding when one decade ends and a new one begins.
The monks who conceived the Gregorian calendar didn’t account for a year 0. They decreed we went from 1 BC to 1 AD. So the first year (AD) ran from January 1, 1 to December 31, 1. The first decade, therefore, ran from January 1, 1 to December 31, 10.
If that’s so, then that means the current decade runs from January 1, 2011 to December 31, 2020. We’ve still got another twelve months to go before we begin a new decade.
Ah, but wait. As a modern society, we refer to decades differently. When we talk about, say, The Sixties, we have come to define that decade as running from 1960 through 1969. Once the calendar clicks over from 1969 to 1970, well, the Seventies have begun, right?
Oh, for crying out loud, does it really matter? It’s just another year has ended, another has begun. Maybe we celebrate the new decade twice — now, and again a year from now.
All I want to do here at Hack’s Back Pages is to put in my two cents regarding the best
new bands/artists and the best albums of the past decade, regardless of when it supposedly ends.
This is itself a departure from what I normally write about. Having come of age in the 1960s, 1970s and 1980s, those are the years I know best and I have consequently focused my explorations and dissertations on those three decades, with a few exceptions..
But damned if the world hasn’t kept on turning in the years since then. New music, new bands, new songs, new albums have continued to come out at a remarkable rate, now more than ever, it seems.
I try to stay abreast of what’s out there, but it’s been an uphill climb through thick forest. I am no fan of hip-hop, nor am I wild about country, and those two genres have been dominant lately, so I have to hunt a little harder to find music that appeals to me. I do take note of music recommendations I get from friends whose opinions I value, and I have two daughters (29 and 26) who have absorbed a lot of music over the past ten years, and have steered me toward songs and artists they think I’d like.
So as I reflect on the albums released during the 2010s, I notice that my favorites fell into three categories:
Albums by artists/bands who made their debut during the 2010-2019 decade
Albums by artists/bands who got their start in the 1990s or 2000s
Albums by vintage artists/bands
They’re all worthy of some discussion, but in order to do them justice, I will merely list them here in today’s post, and then go into greater detail on them over the next three posts in January.
Best albums released in 2010-2019 by new artists/bands
“A Deeper Understanding,” The War on Drugs, 2017

“How Big, How Blue, How Beautiful,” Florence and The Machine, 2015

“By the Sun/By the Moon,” Emily Hackett, 2018-2019

“Making Mirrors,” Gotye 2011

“How Do You Do,” Mayer Hawthorne, 2011

“Hozier,” Hozier, 2014

“Night Visions,” Imagine Dragons, 2012

“Anthem of the Peaceful Army,” Greta Van Fleet, 2018

“Something to Tell You,” Haim, 2018

“Flying Colors,” Flying Colors, 2012

“Woodstock,” Portugal. The Man, 2017

“By the Way, I Forgive You,” Brandi Carlile, 2018

“Coming Home,” Leon Bridges, 2015

“÷,” Ed Sheeran, 2017

“Sound & Color,” Alabama Shakes, 2015

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Best albums released in 2010-2019 by artists/bands who got their start in the 1990s or the 2000s:
“A Moon Shaped Pool,” Radiohead, 2016

“Threads,” Sheryl Crow, 2019

“Bon Iver,” Bon Iver, 2011

“Paradise Valley,” John Mayer, 2013

“Turn Blue,” The Black Keys, 2014

“Colors,” Beck, 2017

“The Suburbs,” Arcade Fire, 2010

“As You Were,” Liam Gallagher, 2017

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Finally, amidst all of these artists of a new generation, it might be easy to ignore the fact that some of the iconic writers and singers of the ’60s, ’70s and ’80s still managed to stay active, recording and releasing significant new work during 2010-2019:
“Thick as a Brick 2,” Ian Anderson, 2012

“So Beautiful or So What,” Paul Simon, 2011

“Songs of Innocence,” U2, 2014

“Privateering,” Mark Knopfler, 2012

“Sunken Condos,” Donald Fagen, 2012

“Blackstar,” David Bowie, 2016

“Egypt Station,” Paul McCartney, 2017

“Come Tomorrow,” Dave Matthews Band, 2018

“Before This World,” James Taylor, 2015

“Who,” The Who, 2019

“Standing in the Breach,” Jackson Browne, 2014

“Hypnotic Eye,” Tom Petty and The Heartbreakers, 2014

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Looking forward to talking about all these albums over the next few weeks!

Thankfully, 2019 wasn’t quite as difficult a year. We lost some giants, to be sure, but most of those who passed away over the past twelve months didn’t feel like as much like blows to the solar plexus as in previous years.
Ginger Baker, explosive drummer for Cream, Blind Faith and Ginger Baker’s Air Force, died in October at age 80. His work in the 1960s and 1970s, particularly his recorded and live work with Cream, earned him the reputation as “rock’s first superstar drummer” for a style that melded jazz and African rhythms, and he helped pioneer both jazz fusion and world music. See my in-depth piece, “In the white room with black curtains,” published October 11.
Ric Ocasek, songwriter/singer/guitarist for The Cars, died from complications following surgery in September at age 75. He was instrumental in putting The Cars at the forefront of the movement merging 1970s guitar-oriented rock with the new synthesizer-oriented pop that became popular and flourished in the early 1980s. He wrote a dozen Top 20 singles and many more deep tracks on The Cars’ five multi-platinum albums. Ocasek later recorded seven solo LPs and gained a reputation as a producer, working with No Doubt, Guided by Voices and Suicide. See my in-depth piece, “Everything’s a mess since you’re gone,” published September 20.
Hal Blaine, drummer with the L.A. session musicians known as The Wrecking Crew, died in March at age 90. Blaine was among the most recorded studio drummers in the history of the music industry, playing on an estimated 35,000 sessions and 6,000 singles. His drumming is featured on 150 US Top Ten hits, including 40 that reached #1 on the charts. He worked with everyone from The Beach Boys to Frank Sinatra, from The Fifth Dimension to Simon and Garfunkel, from The Ronettes to Herb Alpert & the Tijuana Brass, from Neil Diamond to Elvis Presley. Between 1966 and 1971, Blaine played on six consecutive Record of the Year Grammy Award winners. See my in-depth piece, “The drummer of a generation of hits,” published March 22.
Peter Tork, bass player for The Monkees, died in February at age 77. He was recruited to join the cast of the 1960s TV show about a rock and roll band after his friend Stephen Stills turned it down. Tork joined guitarist Mike Nesmith and actors Davy Jones and Mickey Dolenz in playing The Monkees, who enjoyed international success as recording artists (“Last Train to Clarksville,” “I’m a Believer,” “A Little Bit Me, A Little Bit You,” “Daydream Believer,” “Valleri”). He occasionally participated in Monkees reunion tours in recent decades. See my in-depth piece on The Monkees phenomenon, “We’re the young generation, and we’ve got something to say,” published March 1.
Paul Barrère, guitarist for Little Feat, died in October at age 71. He joined the band in 1972 and was still doing gigs with them in 2019 until illness prevented him from performing. He was adept at blues, rock, jazz and cajun musical styles, and also recorded with the likes of Taj Mahal, Nicolette Larson, Robert Palmer and Carly Simon. See my in-depth piece on Little Feat, “We can walk together down in Dixieland,” published November 1.
Malcom Rebennack Jr., better known as Dr. John the Night Tripper, died of a heart attack in June at age 77. As a denizen of the New Orleans sound, he was known for performing lively, theatrical stage shows inspired by medicine shows, Mardi Gras costumes, and voodoo ceremonies. Dr. John recorded thirty studio albums and nine live albums, as well as contributing to hundreds of recordings by other musicians. He made the pop charts only once, reaching #9 in 1973 with “Right Place, Wrong Time.” He won six Grammys over the years and was inducted into the Rock and Roll Hall of Fame in 2011.
Edward Mahoney, known professionally as singer-songwriter Eddie Money, died in September at age 70.
Clydie King, an in-demand session singer in the ’70s and ’80s, died in January at age 75. In tandem with Venetta Fields and Sherlie Matthews, King sang background vocals on many dozens of classic rock albums, including Steely Dan’s “Can’t Buy a Thrill,” “The Royal Scam” and “Aja”; The Rolling Stones’ “Exile on Main Street”; Linda Ronstadt’s “Heart Like a Wheel”; Bob Dylan’s “Saved” and “Infidels”; Joe Walsh’s “The Smoker You Drink, the Player You Get”; Joe Cocker’s “Mad Dogs and Englishmen” and Barbra Streisand’s “A Star is Born.”
Dickran Gobalian, a Cyprus-born singer-songwriter-guitarist known professionally as Leon Redbone, died in May.
Art Neville, singer-songwriter-keyboardist from New Orleans, died in July at age 81.
Richard Mansour, known professionally as Dick Dale, died in March at age 81. Dale was known as “the king of surf guitar” and was at the vanguard of the surf music sound, popular in Southern California in the early ’60s. He also worked with guitar manufacturer Leo Fender and others to produce custom-made amplifiers. He was one of the first to push the limits of electric amplification technology and reverberation. “Let’s Go Trippin'” and especially “Misirlou” were Dale’s signature songs that eventually earned him appearances on “The Ed Sullivan Show.” The use of “Misirlou” in the 1994 film “Pulp Fiction” revived his name and gave him new recognition.
Dave Bartholomew, legendary songwriter-trumpeter-arranger-producer, died in June at age 100.
Lastly, there’s Russ Kibb, who died in April at age 88.
1966, and that clues about the death were allegedly hidden in Beatles album covers.