What a way to make a livin’

Some rock musicians became such worldwide celebrities that it’s hard for us to imagine them in their pre-fame days. But at some point, they all were like the rest of us, toiling away at temporary, dead-end jobs, before they pursued their musical dreams and became household names. Perhaps it shouldn’t be surprising that most future stars came from humble beginnings, holding odd jobs that ranged from boring or unpleasant to exotic or bizarre.

Let’s take a look at 20 big rock stars and some of the curious lines of work they dabbled in when they were young and struggling.

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Freddie Mercury, along with Queen drummer Roger Taylor, ran a market stall in London’s Kensington Market, selling their own artwork, along with second-hand clothes.  They enjoyed it enough to keep the vendor space open from 1969 until 1973, even after the release of Queen’s debut LP.  It wasn’t until late 1974 that they became stars when “Killer Queen” rocked the charts.

In the mid-’60s, Tom Waits was hired as a dishwasher at a pizza parlor in San Diego but was soon promoted to pizza cook.  He wrote about his experience in his song “The Ghosts of Saturday Night (After Hours at Napoleone’s).”  Through his first 25 years, Waits managed only a cult audience, wallowing in the lower ranks of the US Top 200 album chart until finally reaching the Top 30 in 1999, but critics have praised his honest lyrics and jazz-inflected musical arrangements.  You might want to check out his first four albums, especially his superb 1973 debut LP, “Closing Time.”

In 1975, already age 30, Debbie Harry had worked as a waitress at Max’s Kansas City club in New York City, and then spent a few months as a Playboy bunny in New York City’s Playboy Club.  She later dyed her hair bright blonde, and became a sensation as the lead singer of Blondie, with huge hits like “Heart of Glass,” “Call Me” and “Rapture.”  She said she dealt with the clientele’s leers and gropes by dabbling in drugs to numb her to the experience.  “I was often half asleep and didn’t much notice, or care, what was going on.”

David Jones’s first job, at age 13, was as a delivery boy for a local butcher in a London suburb.  He used the money he earned to pay for saxophone lessons, and within three years, he became a professional musician and changed his name to David Bowie to differentiate himself from Davy Jones of The Monkees.  Suffice it to say Bowie’s extraordinary five-decade career ensured there was no mistaking the two David Joneses.

Ozzy Osbourne, who soon afterwards found himself the front man of the pioneering heavy metal band Black Sabbath, spent about nine months working in a slaughterhouse.  “The smell was repulsive,” he said.  “I had to slice open the cow carcasses and get all the gunk out of their stomachs.  I used to vomit from it every day.”

When he was 18, Mick Jagger worked part time as a porter in a psychiatric hospital, losing his virginity to a nurse in a storeroom. At the time, he was weighing the advantages of pursuing his passion for rock and roll or continuing as a student at the London School of Economics, where he was working toward a degree in business with an eye toward journalism or politics.  He co-wrote and performed some of the most iconic songs of the past 60 years, and his business schooling also helped make him one of the richest rockers of all time.

Long before joining the Jeff Beck Group, then Faces, and finally a lengthy solo career with multiple top-selling albums and singles, Rod Stewart spent time working in Highgate Cemetery in London, mostly mapping out burial plots but also periodically digging graves.  He also did a stint working in a funeral parlor, greeting guests at wakes and driving hearses.

Patti Smith — famous for her influential 1975 debut album “Horses” and breakthrough “Easter” LP in 1978, which included her version of Bruce Springsteen’s “Because the Night” — worked at a toy manufacturing company for a few months, assembling boxes and sometimes testing toys before packaging.  “I guess it was kind of fun checking out toys, but mostly they made me do the drudge work,” she recalled.  “The women who worked there were incredibly mean to me, I guess because I was too rebellious for them.  A horrible experience, for the most part.”

After Simon & Garfunkel’s 1964 debut album (“Wednesday Morning 3 A.M.”) bombed, the duo went their separate ways.  Paul Simon headed to England and tried his hand at “busking,” playing for spare change in the London subways, but Art Garfunkel put his college degree to work teaching high school algebra in Brooklyn.  Apparently, he was pretty good at it, because the principal said he was sorry to see him go when “The Sound of Silence” was re-released (with a folk-rock arrangement) and rocketed to #1 in 1966, and the duo quickly reunited and went on to become superstars.

Madonna had always been ambitious, earning great grades and hoping to do well with her natural instinct for modern dance.  Although she won a scholarship for dance at the University of Michigan, she dropped out at age 20 and moved to New York City to pursue a professional career in dance, but she had no support and wondered how she’d survive with “about 35 bucks to my name.”  To help make ends meet, the future pop star and trendsetter worked the Dunkin’ Donuts counter for several months.  She would “live to tell” many other stories…

At age 18, Jimi Hendrix found himself in trouble with the law when he was twice caught riding in stolen cars.  Given the choice between jail time and military service, Hendrix enlisted, where he served at bases in California and Kentucky.  He completed paratrooper training but alienated his superior officers, often shirking his duties in favor of practicing guitar.  He managed to finagle an honorable discharge from the Army in 1962 after only one year, and immediately started playing gigs with various bands, including King Curtis, Sam Cooke, Wilson Pickett and The Isley Brothers.  By 1967, he was an international sensation (“Are You Experienced?,” “Electric Ladyland”) before his untimely death in 1970.

Born into poverty in South Carolina, James Brown showed an early predilection for music, and wanted to pursue it, but it took some time.  He was a boxer for a while as a teen, then got arrested for car theft and formed a gospel group in prison.  Later he worked as a truck mechanic, a shoeshine boy and a high school janitor. At 22, he joined The Flames, eventually becoming their star singer and frontman, earning the nickname “The Godfather of Soul” with a long list of R&B hits and back-to-back mainstream hits “Papa’s Got a Brand New Bag” and “I Got You (I Feel Good)” in 1965.

Before donning face paint and becoming the menacing, long-tongued bass player of Kiss, Gene Simmons served as “an excellent typist” for an editor of the fashion department of Vogue magazine.  He also served a stint as a sixth grade teacher in New York’s upper West Side, focusing on art and music.  In recent years, apparently, he has helped his friends’ kids by typing some of their lengthy essay assignments.  His stage persona never had anything to do with any of this, evidently.

As a young boy, Keith Richards spent time watching his father play tennis at a local tennis club, and at 15, he was persuaded to spend a summer as a ballboy there.   He didn’t last long — he was prone to goof off, which embarrassed his father and angered his boss.  “I didn’t respond well to authority,” he chuckled.  “Still don’t.”  But his 60-plus years as guitarist for The Rolling Stones shows he could give the finger to just about anyone.

From meager roots in Tupelo, Mississippi, Elvis Presley and his family moved to Memphis when he was a teenager, and from there he pursued his dream to become a singer.  He did numerous auditions and demos for companies like Sam Phillips’ Sun Records, but nothing much happened at first, so he took a job as an electrician, and then a truck driver, for Crown Electric in Memphis.  One bandleader dismissed him with the comment, “Keep driving a truck, Elvis.  You’re not much of a singer.”  I think maybe that guy was wrong about that.

As a boy, Marvin Aday was a beefy Texas kid who decided he didn’t want to play football, as everyone thought he should, but instead got involved in high school drama, playing a part in “The Music Man.”  He moved to Los Angeles and, adopting his mother’s favorite dish to cook, assumed the name Meat Loaf, hoping to make something of his acting dreams.  He appeared in a production of “Hair” and was then signed by Motown to do an album of soul songs with Shaun “Stoney” Murphy in 1971. In 1974, he played a key part in “The Rocky Horror Picture Show,” on stage and in the film version.  But things stalled, and he found himself putting in brief stints as a bouncer in various L.A. night clubs.  By 1977, Meat Loaf was a superstar, thanks to the work he did on Jim Steinman’s opus “Bat Out of Hell.”

Liverpool was a tough place to grow up in the 1950s, still suffering from the effects of World War II.  For Richard Starkey, later known worldwide as Ringo Starr, it was even worse — he contracted appendicitis and then peritonitis as a youngster and spent much of his childhood in convalescence and under medical care.  Eventually Ritchie pursued a life as a drummer, but not before accepting a position as an apprentice at an industrial equipment manufacturer in Liverpool.  That lasted about four months before he joined Rory Storm and The Hurricanes, where he was admired by John Lennon and Paul McCartney, and Ringo was asked to replace Pete Best on drums for The Beatles.  Perhaps you’ve heard of them?

Divorce and other circumstances meant Eddie Vedder‘s childhood was split between Evanston, Illinois and San Diego.  His interest in music, spiked by The Who’s “Quadrophenia” album, had him working in bands and cutting demos on home equipment.  To make ends meet, Vedder worked as a security guard at La Viencia Hotel in San Diego for a spell, but things came to an abrupt end when he was discovered in a back room practicing guitar instead of being at his security post.  Eventually, Vedder became the lead singer of one of grunge rock’s most impressive bands, Pearl Jam, whose albums in the 1990s and 2000s (“Ten,” “Vs.,” ” Vitalogy,” “No Code”) routinely reached the Top Five of the US charts.

Ross MacManus, a bandleader and musician in London in the ’50s, took the stage name Day Costello, and when his son Declan decided at age 17 to form a band, he adopted the name Elvis Costello as a tribute to his dad as well as rock hero Presley.  To support himself in the mid-’70s, he worked as a data entry clerk at the London offices of Elizabeth Arden.  He also served a stint as a computer operator for Midland Bank.

In 1960 at Hudson’s Department Store in Detroit, Diana Ross became the first black employee who was allowed to work “outside the kitchen.”  She excelled as a saleswoman in the ladies fashion department because of her schooling in modeling, cosmetology and fashion at Cass Technical High School in Michigan.  Within four years, she was the lead singer in The Supremes with five consecutive #1 hits in 1964 (“Where Did Our Love Go,” “Baby Love,” “Come See About Me,” “Stop in the Name of Love” and “Back in My Arms Again”) and many more successes afterwards, followed by an impressive solo career throughout the ’70s and ’80s.

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This Spotify playlist includes early tracks from the debut albums by the 20 artists featured above.

We just want to give gratitude

Melody Beattie, a pioneer of the self-help movement and a recovering addict herself, has written many inspirational books that have assisted many thousands on how to live fuller, more productive lives. She has said that being grateful for life’s blessings is a crucial component, and she wrote this marvelously succinct summary of the concept:

“Gratitude unlocks the fullness of life. It turns what we have into enough, and more. It turns denial into acceptance, chaos to order, confusion to clarity. It can turn a meal into a feast, a house into a home, a stranger into a friend. It turns problems into gifts, failures into successes, the unexpected into perfect timing, and mistakes into important events. It can turn an existence into a real life, and disconnected situations into important and beneficial lessons. Gratitude makes sense of our past, brings peace for today, and creates a vision for tomorrow. Gratitude makes things right.”

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In this special Thursday post on this music blog, I have gathered a dozen songs of gratitude from as far back as 1935 and as recent as 2018. They each focus on the importance of being thankful for what we have in a world where we sometimes forget that. There’s a Spotify playlist at the end for your listening pleasure.

Happy Thanksgiving!

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“My Thanksgiving,” Don Henley, 2000

Henley collaborated with former Heartbreakers drummer Stan Lynch to write several songs for his overlooked 2000 album “Inside Job,” including this poignant tune about a man looking back with regret on his years gone by, and the blessings he didn’t appreciate at the time.  The message of this song, it seems to me, is that it’s never too late to be grateful:   “And I don’t mind saying that I loved it all, I wallowed in the springtime, now I’m welcoming the fall, for every moment of joy, every hour of fear, for every winding road that brought me here, for every  breath, for every day of living, this is my thanksgiving…”

“Thanksgiving Prayer,” Joanne Cash, 2018

Country music icon Johnny Cash died in 2003, but his younger sister Joanne began her own musical career four years later at the age of 69 with the release of “Gospel” in 2007, the first of four LPs the deeply spiritual singer has produced. In 2018, the LP “Unbroken” included a dozen songs of religious devotion, including Josef Anderson’s sensitive “Thanksgiving Prayer,” which expresses gratitude for lifer’s blessings: “We’ve come to the time in the season when family and friends gather near /To offer a prayer of Thanksgiving for blessings we’ve known through the years… /I’m grateful for the laughter of children, the sun and the wind and the rain, /The color of blue in your sweet eyes, the sight of a high ballin’ train, /The moon rise over a prairie, an old love that you’ve made new, /And this year when I count my blessings, I’m thanking the Lord He made you…”

“I Want to Thank You,” Otis Redding, 1965

Soul music giant Redding was generally regarded as an interpreter of other composers’ works, but he also wrote a handful of original tunes, including “Respect,” the song that became Aretha Franklin’s signature piece. In 1965, on his second LP, “The Great Otis Redding Sings Soul Ballads,” he offered “I Want to Thank You,” a song of gratitude for the love and support of a woman who died prematurely: “I want to thank you for being so nice now, I want to thank you for giving me my pride, /Sweet kisses too, and everything you do, /I know I’ll never find another one like you…” Redding himself perished far too young at age 26 in a plane crash in 1967.

“Thanksgiving Song,” Mary Chapin-Carpenter, 2008

This talented singer-songwriter of country and folk music emerged from the Washington DC area in 1987, first reaching the Top Ten on US album charts in 1994 with “Stones in the Road.” She had an impressive run of Top Ten singles on country charts throughout the 1990s with original songs like “I Feel Lucky,” “Passionate Kisses,” “He Thinks He’ll Keep Her” and “Shut Up and Kiss Me.” In 2008, Chapin-Carpenter released “Come Darkness, Come Light: Twelve Songs of Christmas,” which featured “Thanksgiving Song,” a gentle song that conveys a significant message: “Grateful for what’s understood, and all that is forgiven, /We try so hard to be good, to lead a life worth living, /Father, mother, daughter, son, neighbor, friend, and friendless, /All together, everyone, let grateful days be endless…”

“Thanks to You,” Boz Scaggs, 2001

An original member of the Steve Miller Band in the late ’60s, Scaggs went solo in 1969 and had three Top Ten albums in the late ’70s including the platinum “Silk Degrees” with the hit “Lowdown.” He has continued to release smooth new LPs every 4-5 years through the decades since. In 2006, his overlooked album “Dig” included the heartfelt closer “Thanks to You,” a poignant ode to a life partner who provides much-needed love and support “as I balk and stumble through the world.” “Thanks to you, 
I’ve got a reason to get outta bed make a move or two, /Thanks to you, there’s a net below, ’cause otherwise, well I don’t know, /And thanks to you, there are promises of laughs and loves and labyrinths, /And reason to suspect that I’m meant for this, a smile, a song, a tender kiss, /Thanks to you…”

“(I’ve Got) Plenty to Be Thankful For,” Bing Crosby, 1942

From the mid-1920s well into the 1960s, Crosby was a leading singer, actor and radio star, a winner of Oscars and Grammys, and most famous for his recording of the seasonal classic “White Christmas,” first heard in the 1942 film “Holiday Inn.” That movie soundtrack featured a dozen other songs by the great Irving Berlin, each commemorating various holidays (Easter, Independence Day, Valentine’s Day) as part of the film’s plot. For Thanksgiving, Bing sings Berlin’s “(I’ve Got) Plenty to Be Thankful For,” with these lyrics of gratitude: “I’ve got eyes to see with, ears to hear with, /Arms to hug with, lips to kiss with, /Someone to adore, how could anybody ask for more? /My needs are small, I buy ’em all at the five and ten cent store, /Oh, I’ve got plenty to be thankful for…”

“Thankful ‘n Thoughtful,” Sly and the Family Stone, 1973

“Fresh,” the third of three enormously influential progressive-funk LPs released by Sly and The Family Stone in the 1969-1973 period, found Stone offering a lighter, more accessible version of the psychedelic soul found on “Stand!” and “There’s a Riot Goin’ On.” A typical example of this was the tune “Thankful N’ Thoughtful,” which explores Sly’s feelings about his drug excesses and how he found his way back from dark places: “From my ankle to the top of my head, I’ve taken my chances, hah, I could have been dead, /I started climbing from the bottom, oh yeah, all the way to the top, /Before I knew it, I was up there, you believe it or not, /That’s why I got to be thankful, yeah yeah, I got to be thoughtful, /Thankful, gotta be thoughtful…”

“Thank You,” Led Zeppelin, 1969

This dreamy track sits in stark contrast to the hard blues rock that makes up most of “Led Zeppelin II,” one of the undisputed pillars of the classic rock era. It’s a dramatic ballad carried along by harmonious electric and acoustic guitars and subtle organ, and a delicate melody sung by Robert Plant, who wrote the lyrics as a loving tribute to his wife:  “And so today, my world it smiles, your hand in mine, we walk the miles, thanks to you it will be done, for you to me are the only one…”

“Thanks a Million,” Louis Armstrong, 1935/1991

The songwriting team of Arthur Johnston and Gus Kahn wrote this jazzy number with Louis “Satchmo” Armstrong in mind, who recorded it in 1935 at the height of his popularity, although it wasn’t released as a single. In 1991, it appeared on “Volume 1: Rhythm Saved the World,” part of a compilation of his Decca Records catalog. Kahn’s lyrics express how grateful the singer is for his lover: “Thanks a million, a million thanks to you, /For everything that love could bring, you brought me, /Each tender love word you happened to say is hidden away in memory’s bouquet, /Thanks a million, for I remember too, /The tenderness that your caresses taught me, /You made a million dreams come true, and so I’m saying, Thanks a million to you…”

“Thanksgiving Day,” Tom Chapin, 2010 (original 1990)

Chapin’s older brother Harry established himself as a writer and singer of superb story-songs in the 1970s (“Taxi,” “Cat’s in the Cradle,” “Sniper”). Concurrently, Tom Chapin forged his own career in entertainment on children’s TV programs and on records beginning in 1976. Although never a big success on the charts, the younger Chapin has released many LPs of simple songs meant for all ages. His 1990 album “Mother Earth” was expanded in 2010 to include more songs including “Thanksgiving Day,” which explores the holiday’s history and evolution: “Everything changes, yes, even Thanksgiving, /Let’s rededicate this old day to helping the hungry, the poor and the homeless so all may be able to say, /Thanks for our health, thanks for our hearth and the bounty that grows from the ground, /With our loved ones near, we bless the year that’s brought us safely ’round…”

“Thanks,” The James Gang, 1970

Joe Walsh was just 22 when he became the guitarist, singer and chief songwriter of Cleveland’s heroes, The James Gang.  Walsh’s songs “Funk #49” and “Walk Away” became national hits, and Walsh himself went on to become a major star in his own right, first as a solo act and then as a member of The Eagles.  On the 1970 album “James Gang Rides Again,” Walsh wrote a largely acoustic track called simply “Thanks,” which took a somewhat resigned, matter-of-fact approach to life:  “Thanks to the hand that feeds you, give the dog a bone, thanks to the man that gives you, haven’t got your own, that’s the way the world is, woh-oh…”

“Thanks For the Memory,” Rod Stewart, 2005

Lyricist Leo Robin teamed up with composer Ralph Rainger to write several popular songs from movie soundtracks, including the witty “Diamonds Are a Girl’s Best Friend” from “Gentlemen Prefer Blondes” (1949) and the sentimental “Thanks For the Memory” from “Big Broadcast of 1938,” which won the Best Song Oscar that year. In the film, Bob Hope and Shirley Ross play a divorced couple who run into each other on a cruise ship and, after singing this song to each other, eventually choose to reunite. Artists like Hope, Dorothy Lamour, Bing Crosby, Ella Fitzgerald and Frank Sinatra recorded it in the years since, and rocker Rod Stewart covered it on the fourth volume of his Great American Songbook series in the 2000s. “Thanks for the memory of faults that you forgave… /And how are all those little dreams that never did come true? /Awfully glad I met you, cheerio and toodle-oo, /Thank you, thank you so much…”

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