God only knows what I’d be without you

imgres-2Jamie Foxx as Ray Charles.  Diana Ross as Billie Holiday.  Kevin Spacey as Bobby Darin.  Val Kilmer as Jim Morrison.

These are just a few of the amazing performances we’ve seen in the movie genre known as the biopic, or biographical film.  It’s been around since the beginning of motion pictures, focusing primarily on historical figures, presidents, authors, actors and other celebrities.  Biopics on popular music figures first emerged in the late ’50s and early ’60s, with Hollywood treatments of such luminaries as Benny Goodman, Hank Williams and the like.  But things didn’t really get rolling until the ’70s, when biopics of Billie Holiday (“Lady Sings the Blues,” 1972), Woody Guthrie (“Bound for Glory,” 1976) and Buddy Holly (“The Buddy Holly Story,” 1979) were nominated for, or won, Academy Awards for the star or the film.

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I’ve seen that movie too

original-Easy-Rider-movie-poster.jpgAt the beginning of the 1969 independent cult classic film “Easy Rider,” the lead characters meet with a high-rolling drug dealer to sell him a large quantity of cocaine, after which they take the money, hop on their California-style Harley choppers and head out on the open road.  Accompanying these scenes are two iconic hard rock songs that perfectly complement the story:  “The Pusher” and “Born to Be Wild” by Steppenwolf.

Music and movies have gone together like oil and vinegar since, well, pretty much ever since there have been movies.  From Al Jolson’s “The Jazz Singer” (1927) through the many dozens of big-screen musicals of the ’30s, ’40s and ’50s, songs played a pivotal role in moving the plot along, usually sung on screen by actors as part of the story.  In the modern era, film makers increasingly used popular songs over the opening and closing credits as well.  And when rock and roll music arrived in the mid-’50s, rock tunes and cinema began a marriage that has only grown stronger and more pervasive with each passing year.

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