It doesn’t seem true, oh, I’m missing you

I’ve been writing this blog for nine years now, and my least favorite part of the experience has been in writing so many obituaries each year. 

In my second year (2016), I found myself having to write TEN tributes to major rock artists who died during that calendar year (David Bowie, Prince, and Glenn Frey, to name just three). 

Each year since, a handful of important musical figures have passed away, and I felt it was my duty to honor their stature in the music business by writing about their legacy. There have been rock pioneers like Chuck Berry, Little Richard and Jerry Lee Lewis; folk icons like Leonard Cohen and John Prine; rock figureheads like Tom Petty, Eddie Van Halen and Peter Green; R&B legends like Aretha Franklin and Maurice White; pop idols like David Cassidy and Michael Nesmith; and instrumental virtuosos like Ginger Baker and Keith Emerson.

Beginning in 2019, I’ve been writing an “In Memoriam” post each December summarizing all the talented people we lost that year. These year-end wrap-ups have shown all too clearly how the ranks of ’50s, ’60s, ’70s and ’80s music giants are being seriously depleted.

I’m saddened to report that, for my retrospective of 2023’s significant rock music deaths, we must consider the loss of a DOZEN major stars (worthy of individual obits at the time of their deaths) and another 16 of somewhat lesser prominence. It’s enough to bring a music fan to tears.

Let’s hope 2024 brings a slowdown in the pace with which we’re having to say farewell to the musical heroes of our youth.

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Fred White, drummer for Earth, Wind and Fire at the peak of their popularity, died January 1st at the age of 67. The brother of EWF leader Maurice White wasn’t the group’s original drummer, but he took over from Ralph Johnson in 1974 and remained behind the skins during their commercial peak through 1984. He also played drums behind Donny Hathaway and in selected recording sessions with Little Feat, Linda Ronstadt, Deniece Williams and The Emotions. 

Jeff Beck, widely regarded as one of the finest, most innovative electric guitarists in rock music history, died January 10th at age 78. For more about Beck’s career, please see my earlier blog post: https://hackbackpages.com/2023/01/27/over-under-sideways-down-when-will-it-end/

Robbie Bachman, one of three brothers in the lineup of Bachman-Turner Overdrive, died January 12th at age 69. Robbie played drums behind leader/guitarist/singer Randy, who had been a pivotal part of The Guess Who before forming BTO. Robbie served as drummer from 1973-1979 when the band was at its most successful, winning several Juno Awards (Canada’s version of The Grammys), and then returned for a long run in the 1988-2005 period.

David Crosby, the iconic singer-songwriter from The Byrds and Crosby, Stills, Nash and Young, died January 19th at age 81. For more about Crosby’s career, please see my earlier blog post: https://hackbackpages.com/2023/02/10/you-know-the-darkest-hour-is-always-just-before-the-dawn/

Dean Daughtry, co-founder of Atlanta Rhythm Section, died January 26th at age 76. Daughtry had been in Classics IV, who had three late ’60s hits (“Spooky,” “Stormy” and “Traces”), and became keyboardist and co-songwriter of ARS from its founding in 1970 until 2020. He co-wrote most of their hits as well, including “So Into You,” “Imaginary Lover” and “Champagne Jam.”

Floyd Sneed, drummer for Three Dog Night, died January 27th at age 80. Sneed laid down the percussive foundation for the vocal group’s vibrant sound from their debut in 1968 through their many chart successes in the ’70s until disbanding in 1977. He joined Ohio Players for an extended tour in 1978, and then appeared only occasionally in reunited Three Dog Night lineups in the ’80s and ’90s.

Barrett Strong, one of Motown’s early successes as both a songwriter and singer, died January 28th at age 81. His vocals on “Money (That’s What I Want)” helped make it the first hit on the Motown label in 1960, reaching #2 on R&B charts and #23 on pop charts. Strong went on to a fruitful songwriting partnership with producer Norman Whitfield, responsible for such classics as “I Heard It Through the Grapevine,” “War,” “Just My Imagination” and “Papa Was a Rollin’ Stone.”

Burt Bacharach, one of the most successful pop composers of all time, died February 8th at age 94. For more about Bacharach’s career, please see my earlier blog post: https://hackbackpages.com/2023/02/17/forever-forever-youll-stay-in-my-heart/

Wayne Shorter, perhaps the most celebrated jazz saxophonist of his time, died March 2nd at age 89. He was the principal composer of Art Blakey’s Jazz Messengers from 1959-1964, then served in Miles Davis’ Second Great Quintet (1964-1969) before co-founding jazz fusion pioneers Weather Report in 1970. He also released more than two dozen solo LPs over the decades and made impressive guest appearances on prominent pop albums like Steely Dan’s “Aja,” Don Henley’s “The End of the Innocence” and every Joni Mitchell LP from 1977 on.

David Lindley, the “go to” session musician for scores of Los Angeles-based musicians in the ’70s and ’80s, died March 3rd at age 78. For more about Lindley’s career, please see my earlier blog post: https://hackbackpages.com/2023/03/17/oh-please-stay-just-a-little-bit-more/

Gary Rossington, the last surviving member of the original lineup of Southern rockers Lynyrd Skynyrd, died March 5th at age 71. For more about Rossington’s career, please see my earlier blog post: https://hackbackpages.com/2023/03/10/the-smell-of-death-surrounds-you/

Jim Gordon, troubled but in-demand drummer in the ’60s and ’70s, died March 13th at age 77. Gordon was involved in many dozens of recording sessions in the 1960s as part of the confederation of freelancers known as The Wrecking Crew, including major works like “Pet Sounds,” “The Notorious Byrd Brothers” and the Mason Williams instrumental hit “Classical Gas.” He joined Delaney and Bonnie and Friends in 1969, which became the house band for George Harrison’s “All Things Must Pass” solo debut. Eric Clapton then tapped him to be part of his Derek and the Dominos group that recorded the legendary “Layla” album. Tragically, Gordon developed acute schizophrenia in 1983 and murdered his own mother, which led to spending the rest of his life in a psychiatric prison.

Ian Bairnson, guitarist who recorded and performed with artists such as the Alan Parsons Project and Kate Bush, died April 7th at age 69. He was a member of the Scottish band Pilot in 1974 when they had a US Top Five hit with “Magic.” Most of Pilot’s lineup became the core of musicians who played behind Parsons on his nine-album run from 1976-1990, offering guitar solos on many of APP’s tracks. Bairnson also made important contributions to Bush’s first four LPs, as well as albums by Joe Cocker, Mick Fleetwood, Sting and Eric Clapton.

Harry Belafonte, who popularized calypso music with international audiences in the 1950s and 1960s, died April 25th at age 96. He was also an accomplished actor in 1950s films like “Carmen Jones” and “Island in the Sun,” and most recently appeared in 2018’s “BlacKkKlansman.” Belafonte was a major figure in the civil rights movement of the 1960s as a close associate of Martin Luther King, and he remained an outspoken defender of minority rights well into the 2000s.

Tim Bachman, one of two guitar-playing brothers in Canada’s Bachman-Turner Overdrive, died April 28th at age 71. Tim had worked with his brother Randy in the early ’70s group Brave Belt before becoming a founding member in BTO. The brothers had a tempestuous relationship, with Tim leaving and rejoining the BTO lineup more than once over the years. 

Gordon Lightfoot, legendary Canadian singer-songwriter best known for hits like “If You Could Read My Mind,” “Sundown” and “The Wreck of the Edmund Fitzgerald,” died May 1st at age 84. For more about Lightfoot’s career, please see my earlier blog post: https://hackbackpages.com/2023/05/05/the-feelings-gone-and-i-just-cant-get-it-back/

Tina Turner, the legendary ’60s R&B singer as part of The Ike and Tina Turner Revue who reinvented herself as an electrifying solo artist in the ’80s, died May 5th at age 83. For more about Turner’s career, please see my earlier blog post: https://hackbackpages.com/2023/06/02/a-lifetime-of-promises-a-world-of-dreams/

George Winston, pianist extraordinaire, died June 4th at age 74. A highly regarded contemporary instrumental performer with many solo piano recordings, Winston debuted in 1972 and found prominence in 1980 with the album “Autumn,” followed in 1982 by “Winter Into Spring” and his multi-platinum success, “December,” which became a Yuletide seasonal favorite with his impressive New Age interpretations of traditional carols and hymns. 

Tony Bennett, one of the most iconic pop singers of the past century, died July 21st at age 96. For more about Bennett’s career, please see my earlier blog post: https://hackbackpages.com/2023/07/28/your-golden-sun-will-shine-for-me/

Randy Meisner, founding bassist/singer of The Eagles, died July 26th at age 77. For more about Meisner’s career, please see my earlier blog post: https://hackbackpages.com/2023/08/04/all-alone-at-the-end-of-the-evening/

Sinead O’Connor, the talented and controversial Irish singer, died July 26th at age 56. Her ethereal ballads and rebellious anthems reflected her tumultuous personal life, with lyrics about sexism, religion, child abuse, famine and police brutality set against reggae beats, traditional Irish melodies and throbbing pop hooks. Declaring that she was “proud to be a troublemaker,” O’Connor shaved her head for the photo shoot of her debut LP, “I Do Not Want What I Haven’t Got.” She considered herself more a punk rocker than a pop star and felt uncomfortable when her rendition of the Prince song “Nothing Compares 2 U” reached #1 in 1990. She made headlines when she protested against sexual abuse in the Catholic Church (long before the media exposed it) by ripping up a photo of the Pope during a live performance on “Saturday Night Live” in 1992, which outraged many and negatively affected her career for decades to come. She defended her actions years later, saying, “It was the right thing to do. I’m proud of it.”

David LaFlamme, lead singer and chief songwriter of the San Francisco-based band It’s A Beautiful Day, died August 6th at age 82. He wrote and sang lead vocals on the group’s FM radio classic “White Bird,” released in 1969 on their debut LP. LaFlamme had played violin as a teenager in the Utah Symphony before co-founding It’s a Beautiful Day, who played an intriguing mix of rock, folk, jazz and classical music. They placed two LPs in the US Top 50 album chart.

Robbie Robertson, chief songwriter and guitarist of The Band, died August 9th at age 80. For more about Robertson’s career, please see my earlier blog post: https://hackbackpages.com/2023/08/18/i-just-need-some-place-where-i-can-lay-my-head/

Jimmy Buffett, wildly popular singer/songwriter and good life ambassador, died September 1st at age 76. For more about Buffett’s career, please see my earlier blog post: https://hackbackpages.com/2023/09/08/if-we-couldnt-laugh-we-would-all-go-insane/

Gary Wright, American singer/keyboardist best known for his 1975 LP “The Dream Weaver,” died September 4th at age 80. Prior to his success as a solo artist, Wright was a member of the British band Spooky Tooth, who released two critically praised LPs in the late ’60s but dissolved and reunited several times over the years, never gaining the momentum to be a commercial success. Wright went on to work on George Harrison’s “All Things Must Pass” solo debut and with other British artists before reaching the top of the charts on his own with “Dream Weaver” and “Love is Alive” in 1976.

Terry Kirkman, frontman and lead singer of The Association, died September 23rd at age 83. Kirkman played woodwinds and brass instruments and played a key role in the vocal group’s lush harmonies on a string of singles between 1966-1970, most notably “Cherish,” the #1 hit he wrote, and “Windy,” “Never My Love” and “Along Comes Mary.” Although they were considered more pop than counterculture, The Association were selected as the opening act at the pioneering Monterey Pop Festival in 1967.

Rudolph Isley, one of the founding members of R&B giants The Isley Brothers, died October 11th at age 84. O’Kelly, Ronald and Rudolph Isley emerged from Cincinnati in 1959 with the classic call-and-response hit “Shout,” followed by “Twist and Shout” in 1962. Other Top Ten hits followed, such as “This Old Heart of Mine,” “It’s Your Thing,” “That Lady” and “Fight the Power,” plus two dozen popular hits on the R&B charts throughout the ’60s and ’70s.

Paul Harris, keyboardist on many dozens of albums and in the Stephen Stills band Manassas, died October 24th at age 78. Harris played piano, organ and synthesizer and handled music arrangements for a wide variety of artists in the ’60s, ’70s and ’80s, including The Doors, Dan Fogelberg, Maria Muldaur, Joe Walsh, Judy Collins, B.B. King, Bob Seger, Souther-Hillman-Furay Band, Andy Gibb, ABBA, Aerosmith, John Sebastian and, as noted, Manassas.

Denny Laine, singer/guitarist in the original lineup of The Moody Blues and then Paul McCartney’s trusty bandmaster in Wings, died December 5th at age 79. For more about Laine’s career, see my earlier blog post:  https://hackbackpages.com/2023/12/08/since-youve-got-to-go-youd-better-go-now/

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The playlist below includes one song by each artist that’s representative of their contribution to the band or to the catalog of music in which they played a part. Some of these were big hits, others less known.

For the glory and the story of Christmas Day

An old college buddy of mine, Budd Bailey, sends me a Christmas card every year that includes a CD full of new and unusual Christmas-related recordings — everything from new takes on old carols to hard rock tracks with new twists on the Yuletide traditions.

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He’s been doing this for more than 15 years now, and it turns out he’s been nobly carrying on the tradition started by one of his friends who passed away in 2006.

I asked Budd where he finds these festive, fun holiday jewels, and he turned me on to several websites that specialize in this sort of thing:  Stubby’s House of Christmas, Santapalooza, Christmas Underground, Hip Christmas and Mistletunes.  I’m sure there are others.

A few years back, I posted a blog piece that singled out a baker’s dozen of classic Christmas songs by rock and pop artists, and I still enjoy hearing those each year (and have therefore included that setlist at the bottom as a bonus).   But it’s always good to broaden one’s palette and try new things, so I have compiled a selection of some of the newer great rock/pop Yuletide stuff that Budd and others have shared with me, and I offer a little background on the artists and the songs they’ve recorded.  

Have a Rockin’ Yule!

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“Christmas Time is Coming ‘Round Again” and “Santa Wants to Take You For a Ride,” The Mavericks, 2018

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Formed in 1989 in Miami, The Mavericks made their mark writing and performing an eclectic mix of Tex-Mix, rockabilly, country and Latin, releasing a half-dozen albums between 1991 and 2003, three of which reached the Top Ten on the US Country charts.  They also won a Grammy for their single “Here Comes the Rain” in 1996.  They reunited in 2013 and continue to make waves on the Country charts, most recently with “Hey!  Merry Christmas!” released in 2018.  The Mavericks released the rousing “Christmas Time is Coming ‘Round Again” last year as a single, and it did so well that they chose to put together an album’s worth of material for this year.  I’ve selected two tracks from that LP — last year’s hit for the family, and another one with a more naughtily suggestive message.

“Merry Christmas Darlings,” Cheap Trick, 2017

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Illinois-based Cheap Trick formed in the mid-1970s, and first became successful in Japan before hitting it big here in 1979 with their “Dream Police” LP.  Singles like “I Want You to Want Me” and “The Flame” and covers of Elvis’s “All Shook Up” and “Don’t Be Cruel” were big hits on the singles charts during the 1980s as well.  They have continued to tour and release new LPs well into the 2000s, and were inducted into the Rock and Roll Hall of Fame.  From “Christmas Christmas,” a 2017 holiday collection, I’ve selected “Merry Christmas Darlings,” an original by veteran members Rick Nielsen, Robin Zander and Tom Petersson.

“This Christmas Day” and “The Man With the Bag,” Jessie J, 2018

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Hailing from Essex outside London, Jessica Cornish got her start as a child actress and then a songwriter before adopting the stage name Jessie J and signing as a recording artist.  Her 2011 debut LP, “Who You Are,” spawned five Top Ten singles in the UK, including “Do It Like a Dude” and two #1 hits, “Price Tag” and “Domino.”  The latter reached #6 on the US charts and pushed “Who You Are” to #11 on the album charts here.  Her superb voice has brought her continued successes through the decade, and in 2018 she dropped “This Christmas Day,” a holiday album featuring a number of guest artists.  I was particularly taken by two songs — the title track, a Jessie J original, and her rendition of the 1950 Dudley Brooks-Irving Taylor classic, “The Man With the Bag.”

“The Pagans Had It Right,” Devil in a Woodpile, 2017

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Rick Sherry, Joel Patterson and Beau Sample formed Devil in a Woodpile in the mid-’90s, playing country blues and jug music, most of it covers of traditional tunes with a few originals scattered in.  They played in and around Chicago for most of their existence, and in 2017, they reunited and came up with “13 Day of Xmas,” which included “The Pagans Had It Right,” a whimsical, cynical look at the crass commercialization and drunken revelry so prevalent in the Christmas season these days:  “Baby Jesus shoulda lawyered up, put a trademark on his brand, the pagans had it all figured out, debauchery through the land…”

“Merry Christmas (I Don’t Want to Fight Tonight),” The Smithereens, 2007

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The Ramones, never a commercial success but hugely influential as a New York punk rock band, released 14 albums in 19 years between 1976 and 1995.  Their 11th LP, “Brain Drain,” included “Pet Sematary,” featured in the Stephen King film of that name, and also “Merry Christmas (I Don’t Want to Fight Tonight),” Joey Ramone’s ragged attempt at a holiday tune.  In 2007, The Smithereens, a Jersey-based rock band with a few modest hits (“Only a Memory,” “A Girl Like You”), did an admirable cover of the Ramones’ Christmas song, and I’ve included it here.

O Come Emmanuel,” Kaskade with Skylar Grey, 2017

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A producer, remixer and DJ named Ryan Raddon took on the stage name of Kaskade in 1995 when he was living in San Francisco, where a genre known as “deep house” was taking hold.  By 2001 he became a recording artist in his own right, focusing on house, electronic and dance music.  Kaskade’s albums and singles became popular on the dance club airplay listings, and by 2013, he was being nominated for multiple Grammy awards and co-headlining the Coachella festival.  In 2017, he released “Kaskade Christmas,” on which he rearranged traditional Christmas music and invited excellent vocalists to collaborate with him.  My favorite track features the superb Skylar Grey singing “O Come Emmanuel.”  Grey had a 2013 Top Ten LP, “Don’t Look Down,” has been a featured singer on many other artists’ hits, including Dr. Dre, Eminem, Moby, Fort Minor and Macklemore, and turned in a memorable 2017 performance on Saturday Night Live with Eminem singing a medley of “Walk on Water/Stan/Love the Way You Lie.”

“You Make It Feel Like Christmas” and “Christmas Eve,” Gwen Stefani (with Blake Shelton), 2017

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Debuting as the 17-year-old singer in her brother’s ska band No Doubt in 1986, Stefani has built a formidable career in the 30 years since.  No Doubt’s 1995 “Tragic Kingdom” LP, with its international #1 smash hit “Don’t Speak,” put Stefani at the top of the heap, and she made multiple chart appearances with No Doubt, as a solo artist, and in various collaborations over the next two decades.  She has also appeared in films, launched fashion lines and been active philanthropically.  In 2017, she released her first holiday LP, “You Make It Feel Like Christmas,” the title track of which emerged as a popular duet written and recorded with her husband, Blake Shelton.  I’ve included it on this setlist, and also added the lovely ballad, “Christmas Eve,” co-written by Stefani.

“Finally It’s Christmas,” Hanson, 2017

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Hanson will no doubt forever be best known for the 1997 international #1 single “MMMBop,” and its multiplatinum album “Middle of Nowhere,” which put the trio of teenaged brothers at the top of the pop music business for a spell.  They had success with a Christmas album recorded that year (“Snowed In”), but then a corporate merger saw their label swallowed by Island Def Jam, where they were neglected and ultimately cast aside.  The trio eventually started releasing independently produced albums that helped them resume their career throughout the 2000s, with chart appearances in the high 20s.  “Finally It’s Christmas” from 2017 was among several holiday albums receiving high critical marks, largely for the catchy title track, released to commemorate the trio’s 25th anniversary.

“Everything’s Gonna Be Cool This Christmas,” Gaspard Royant, 2017

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Although recognized as a musical prodigy at age 7, Gaspard Royant struggled in his efforts to become a professional musician until he was nearly 30.  Originally from a small French town on the Swiss border, he ultimately moved to Paris, where he began composing for film, receiving prizes at choral festivals and eventually recording and performing his own material on tour.  On the strength of successful Christmas singles on European charts in 2014 and 2015, Royant released the “Wishing You a Merry Christmas” LP in 2017, which gained him his first US radio airplay.  The track I found most distinctive was “Everything’s Gonna Be Cool This Christmas.”

“Happy, Happy Christmas,” Ingrid Michaelson, 2018

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New York-based singer-songwriter-pianist Michaelson emerged from New York state college theater environments to write and record music in 2005, ultimately charting three Top Five albums in the 2010s, including “Human Again” (2012) and “Lights Out” (2014).  When she began work on a Christmas album in 2018, she wanted to focus on traditional holiday songs as performed by Frank Sinatra, Judy Garland and others from the 1940s-1950s period.  She completed a set of 11 cover versions but couldn’t resist including one original, “Happy, Happy Christmas,” which was dedicated to the recent deaths of her parents.

“Naughty Naughty Children (Better Start Acting Nice),” Grace Potter, 2011

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Grace Potter is a Vermont-based multi-instrumentalist who formed Grace Potter and The Nocturnals in 2002 and has periodically released albums with the band and on a solo basis.  The group’s strong 2010 LP, “Grace Potter and the Nocturnals,” reached #19 on the US album charts and #3 on mainstream rock lists.  The following year, Potter was asked to be the voice of Carol in an animated Disney project, the holiday-themed “Prep & Landing: Naughty vs. Nice,” for which she also wrote and recorded “Naughty Naughty Children (Better Start Acting Nice).”  Although it’s highly derivative of Chuck Berry’s classic “Run Rudolph Run,” it has a new millennium feel to it that I found compelling.

“Bring Me Love,” John Legend, 2018

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Born John Stephens in 1978, Legend was an instant success with his “Get Lifted” album debut in 2004, and his multiple talents since then have earned him kudos as the first African-American recipient of the EGOT (Emmy, Grammy, Oscar, Tony) designation.  In 2014, Legend co-wrote and sang the Oscar-winning “Glory” for the film “Selma,” and had the second-best-selling song of the year (“All of Me”).  In 2016, he won an Emmy for performing the title role in the live TV special of “Jesus Christ Superstar,” and then in 2018, he released his first holiday LP, “A Legendary Christmas,” which includes eight traditional songs and six Legend originals, most notably the Motown-ish Christmas track “Bring Me Love.”

“Happy Xmas (War is Over),” Emily Hackett, 2018

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John Lennon’s and Yoko Ono’s musical call for peace at Christmastime 1971 was released as a single that year but didn’t get much airplay.  Once Lennon was assassinated during the Christmas season nine years later, it became a haunting, ironic reminder of the senselessness of violence and war, especially in a time of peace and good will.  Since then, this revered song has been covered in a wide variety of arrangements by dozens of artists, ranging from Carly Simon to The Moody Blues, from Jimmy Buffett to Darlene Love, from Celine Dion to Pat Travers, from Josh Groban to REO Speedwagon.  I happen to be partial to the gentle treatment that singer-songwriter Emily Hackett gives to it, and I think you’ll agree.

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