My heart says “danke schoen”
Every holiday has its traditions, and Thanksgiving is no exception. Roast turkey and stuffing. Cranberry sauce. Football on TV. Football in the back yard. Black Friday strategizing. Spirited (sometimes contentious) family debates around the table. Perhaps most important, heartfelt expressions of gratitude.
And there’s one more. At the homes of music lovers like me, it’s time to dig out a copy of the Arlo Guthrie album with the 18-minute story-song called “Alice’s Restaurant Massacree,” recorded in 1967. It’s a partly serious, mostly whimsical telling of a true story that happened “two Thanksgivings ago, two years ago on Thanksgiving” in and
around Stockbridge, Massachusetts. It involves Guthrie and some friends, especially Alice, who cooked “a Thanksgiving dinner that couldn’t be beat,” a ton of garbage, and a cop named Officer Obie. Frankly, the rambling piece is only marginally about this holiday, but the hip FM radio stations in most cities would always play it on Thanksgiving morning, and ever since, I make a point of cranking up the volume at my house and singing along when Arlo instructs us to do so.
Other than “Alice’s Restaurant,” though, Thanksgiving doesn’t seem to have a soundtrack. Unlike Christmas, with its hundreds and hundreds of carols and secular Yuletide music, there are precious few songs that fit this holiday of gratitude and thanks.
But wait. Hack’s Back Pages has done some digging, and I’ve found enough appropriate tunes to compile a pretty decent gaggle of songs to commemorate the day. I’ve offered a sample of lyrics and a little background trivia behind each one, and there’s a Spotify setlist at the end so you can listen along.
Here’s hoping you have plenty to be grateful for, and are surrounded by family and/or friends with whom you can share the day. Peace.
“My Thanksgiving,” Don Henley, 2000
Henley collaborated with former Heartbreakers drummer Stan Lynch to write several songs for his overlooked 2000 album “Inside Job,” including this poignant tune about a man looking back with regret on his years gone by, and the blessings he didn’t appreciate at the time. But it’s never too late to be grateful: “And I don’t mind saying that I loved it all, I wallowed in the springtime, now I’m welcoming the fall, for every moment of joy, every hour of fear, for every winding road that brought me here, for every breath, for every day of living, this is my thanksgiving…”
“Gratitude,” Earth, Wind & Fire, 1976
With disco music on the rise, Earth, Wind & Fire could seemingly do no wrong in 1975-76, and their mostly-live LP “Gratitude” topped the charts for three weeks, sparked by the #1 single “Sing a Song.” The Grammy-nominated title track, written by group leader Maurice White, exemplified his focus on positivity and spiritual peace: “Want to thank you, want to thank you, we just want to give gratitude, got plenty of love we want to give to you with good music, and we’re trying to say that the good Lord’s going to make a way…”
“I Thank You,” Sam and Dave, 1967, and ZZ Top, 1980
“You didn’t have to love me like you did, but you did, and I thank you, you didn’t have to hold me like you did, but you did, and I thank you…” Isaac “Theme From Shaft” Hayes and David Porter wrote this soul classic in 1968, and Sam & Dave’s recording reached #9 that year. Texas blues rockers ZZ Top covered it in 1980, and later, Bon Jovi, Bonnie Raitt and Paul Rodgers also recorded cover versions.
“Thank You Pretty Baby,” Brook Benton, 1959, and Nat King Cole, 1964
In the ’50s, Benton was a songwriter for crooners like Nat King Cole until he was persuaded to record his songs himself, thus beginning a solid career as a solo artist, charting a dozen Top Ten hits in the 1959-1962 period, and throughout the ’60s on the R&B chart, culminating in the #4 hit “Rainy Night in Georgia” in 1970. He and Cole both recorded this song of appreciation for the woman the singer so clearly loves: “Thank you for your loving ways, thank you because you’ve been so kind, I’m gonna just take my time and thank you honey, because you’re mine, all mine…”
“Thank You,” Led Zeppelin, 1969
This is one of a half-dozen acoustic-based ballads released by the undisputed kings of hard blues rock. Carried along mostly by delicate electric and acoustic guitars and subtle organ, the song features a pretty melody sung by Robert Plant, who wrote the lyrics as a loving tribute to his wife: “And so today, my world it smiles, your hand in mine, we walk the miles, thanks to you it will be done, for you to me are the only one…”
“Thank You (Falettinme Be Mice Elf Agin),” Sly and The Family Stone, 1970
“Dance to the music, all night long, everyday people, sing a simple song, mama’s so happy, mama start to cry, papa still singin’, you can make it if you try, ah, I want to thank you for lettin’ me be myself again…” Sylvester Stewart, known worldwide as Sly Stone, wrote the lyrics to most of the group’s songs, including this one, the third of four #1 singles the pop/funk/soul band charted between 1968 and 1971. The lyrics offer a virtual word salad of disjointed thoughts and images but keep coming back to the chorus, where he expresses gratitude for being allowed to just “be myself again.” Translation: After all the posturing, it’s good to get back to the real person inside.
“Thank You For Being a Friend,” Andrew Gold, 1978
Most of the instruments you hear behind Linda Ronstadt’s vocals on her mid-’70s hit albums were played by musical virtuoso Andrew Gold, who went solo in 1977 and had a top ten hit with “Lonely Boy.” The next year, “Thank You For Being a Friend” followed as a modest #25 hit, but it’s better known (in a version recorded by Cynthia Fee) as the theme song to the popular sitcom “The Golden Girls” (1985-1992). In a 2010 appearance by Betty White on “Saturday Night Live,” it was affectionately sung to her by past and present cast members: “And when we both get older, with walking canes and hair of gray, have no fear, even though it’s hard to hear, I will stand real close and say, ‘Thank you for being a friend’…”
“Thank You,” Dido, 2000
British singer-songwriter Florian “Dido” Armstrong exploded out of the box in 1999 with her “No Angel” album, which peaked at #4 in the US and went on to sell an astonishing 22 million copies worldwide. The #3 hit “Thank You” was spurred on by its use in the TV show “Roswell,” the film “Love Actually” and, most prominently, as an element in Eminem’s huge hit rap song “Stan,” which was on the charts simultaneously with Dido’s single. Its lyrics show gratitude to her boyfriend for being there when she needed him most: “Push the door, I’m home at last and I’m soaking through and through, then you handed me a towel, and all I see is you, and even if my house falls down now, I wouldn’t have a clue, because you’re near me, and I want to thank you for giving me the best day of my life, oh just to be with you is having the best day of my life…”
“Thanks,” James Gang, 1970
Joe Walsh was just 22 when he became the guitarist, singer and chief songwriter of Cleveland’s heroes, The James Gang. Walsh’s songs “Funk #49” and “Walk Away” became national hits, and Walsh himself went on to become a major star in his own right, first as a solo act and then as a member of The Eagles. On the 1970 album “James Gang Rides Again,” the lyrics to Walsh’s track “Thanks” took a somewhat resigned, matter-of-fact approach to life: “Thanks to the hand that feeds you, give the dog a bone, thanks to the man that gives you, haven’t got your own, that’s the way the world is, get just what you can, wake up again tomorrow, a little less a man, woh-oh…”
“Thank You Friends,” Big Star, 1974
The critically acclaimed but commercially unsuccessful Big Star released three albums in the early ’70s, which eventually received attention in the ’80s when bands like R.E.M. and The Replacements mentioned them as a major influence. Lead singer Alex Chilton, who had wowed the US when he sang the #1 hit “The Letter” with The Box Tops at age 16, wrote most of their material, including this joyous tribute to good friends: “Thank you friends, wouldn’t be here if it wasn’t for you, I’m so grateful for all the things you helped me do, all the ladies and gentlemen who made this all so probable…”
“Thank You Girl,” The Beatles, 1963
“You’ve been good to me, you made me glad when I was blue, and eternally, I’ll always be in love with you, and all I wanna do is thank you girl, thank you girl, thank you girl for loving me the way that you do, that’s the kind of love that is too good to be true…” This formulaic early Lennon-McCartney song was written as the follow-up single to their first #1 hit in England, “Please Please Me,” with “From Me to You” slated for the B-side. In the end, though, “From Me to You” won out, and “Thank You Girl” became the B-side. In the US, it appeared on the Capitol album “The Beatles’ Second Album” in 1964. Said Lennon in 1980: “One of our efforts at writing a single that didn’t work.” Said McCartney about it in 1989: “A bit of a hack song, but all good practice.”
“Thank U,” Alanis Morissette, 1998
Morissette was only 21 when her “Jagged Little Pill” LP spawned four hits and ended up selling 16 million copies in the US alone. Things had exploded so fast for her, she said, that she needed to take some time off. “When I did stop, and I was silent, and I breathed, I was just left with an immense sense of gratitude, and inspiration, and bliss, and that’s where the lyrics to ‘Thank U’ came from.” It reached #1 in her native Canada and #17 here: “How about me not blaming you for everything, how about me enjoying the moment for once, how about how good it feels to finally forgive you, how about grieving it all one at a time, thank you India, thank you Providence, thank you disillusionment, thank you frailty, thank you consequence, thank you thank you silence…”
“Thank the Lord for the Night Time,” Neil Diamond, 1967
Neil Diamond’s career as a songwriter (he wrote several of The Monkees’ hits like “I’m a Believer”) started shifting to singer/songwriter in 1966 with the #6 hit “Cherry, Cherry,” and his fifth single was this lively toast to the nighttime, which reached #13: “I thank the Lord for the night time, forget the day, a day of up, uptight time, baby, chase it away, I get relaxation, it’s a time to groove, I thank the Lord for the right time, I thank the Lord for you…”
“Grateful,” Anthony Hamilton, 2016
In this blog, I don’t generally focus on recent songs, but sometimes exceptions are necessary. The talented R&B composer-singer Anthony Hamilton, widely praised by critics and nominated for multiple industry awards, rose to prominence in 2003 with his album and title song “Coming Where I’m Comin’ From.” Hamilton has the respect of his musical peers, who have flocked to collaborate with him these past dozen years. His 2016 release “What I’m Feelin'” includes the heartfelt album track “Grateful,” which is well worth seeking out: “Here I am, a new man, the best days of my life, and it goes without saying, you’ve turned it all around, introduced me to love, when I had given up, and I’m so grateful for you… The way you changed my life, I owe it all to you, I found real love in you, all because of you…”
“Danke Schoen,” Wayne Newton, 1963
Bert Kaempfert, a German orchestra leader who wrote Nat King Cole’s “L-O-V-E” and Frank Sinatra’s “Strangers in the Night,” also wrote Wayne Newton’s biggest hit, which was supposed to be Bobby Darin’s follow-up to “Mack the Knife” in 1963 until Darin heard Newton sing it and gave it to him. (Language lesson: The rough translation of the German “danke schoen” is “thank you kindly.”) The song got a second life in 1988 when it was featured in “Ferris Bueller’s Day Off” when Ferris sang it (lip-synching Newton’s recording) from a parade float: “Thank you for seeing me again, though we go on our separate ways, still the memory stays for always, my heart says danke schoen, danke schoen, my darling…”